1 00:00:44,000 --> 00:00:46,000 [mysterious and disturbing theme] 2 00:01:36,291 --> 00:01:37,541 [intriguing theme] 3 00:01:43,125 --> 00:01:44,708 The murderer is among you. 4 00:01:45,541 --> 00:01:46,458 He is here. 5 00:01:46,833 --> 00:01:48,041 And he will stay here. 6 00:01:48,875 --> 00:01:50,916 I admit, very humbly, that... 7 00:01:51,083 --> 00:01:52,291 I almost got fooled. 8 00:01:52,458 --> 00:01:53,458 I took time 9 00:01:53,625 --> 00:01:55,041 to understand, but... 10 00:01:55,541 --> 00:01:56,500 I understood. 11 00:01:57,750 --> 00:02:01,291 It all started with a delicious creamy mushroom soup. 12 00:02:01,458 --> 00:02:04,750 The night that followed, you have all been very ill. 13 00:02:04,916 --> 00:02:07,166 All, except Victor de La Tour 14 00:02:07,333 --> 00:02:09,833 who died of poisoning. - Exquisite. 15 00:02:10,000 --> 00:02:11,291 [symphonic flight] 16 00:02:11,458 --> 00:02:13,416 [broken glass and porcelain] 17 00:02:14,083 --> 00:02:16,250 It's a phalloides amanita. 18 00:02:16,416 --> 00:02:17,583 A love what? 19 00:02:17,750 --> 00:02:18,958 Amanita phalloides. 20 00:02:19,125 --> 00:02:22,208 This is the name of the poisonous mushroom who should have killed you. 21 00:02:22,375 --> 00:02:24,500 Why aren't you all dead? 22 00:02:25,666 --> 00:02:28,125 Yesterday, Lieutenant Daumas-Gassac and myself 23 00:02:28,291 --> 00:02:31,125 we are maintained with Professor Orfila, 24 00:02:31,291 --> 00:02:33,458 founder of toxicology forensic. 25 00:02:33,625 --> 00:02:34,750 - [small explosion] - [scream] 26 00:02:34,916 --> 00:02:37,750 [Rebecca] We learned that hypodermic injection 27 00:02:37,916 --> 00:02:39,833 of a poison, in small doses, 28 00:02:40,000 --> 00:02:42,458 can make you immune to this poison. 29 00:02:42,625 --> 00:02:44,666 - Who ? - [someone jumps] 30 00:02:44,833 --> 00:02:45,791 Who... 31 00:02:46,666 --> 00:02:49,083 could have imagined, just one second, 32 00:02:49,250 --> 00:02:50,333 that every night, 33 00:02:50,500 --> 00:02:53,166 someone would break in in your room 34 00:02:53,333 --> 00:02:56,166 to inject yourself with a microdose amanita phalloides 35 00:02:56,333 --> 00:02:57,666 to immunize you 36 00:02:57,833 --> 00:02:59,750 for the evening of the final supper. 37 00:02:59,916 --> 00:03:00,916 Who... 38 00:03:01,083 --> 00:03:02,125 except you?! 39 00:03:02,750 --> 00:03:04,291 Count du Bois Maury. 40 00:03:04,458 --> 00:03:05,291 Me ? 41 00:03:05,458 --> 00:03:07,125 - How ? - Rebecca, please. 42 00:03:07,291 --> 00:03:09,291 We found this in your room. 43 00:03:09,458 --> 00:03:10,625 Did you know 44 00:03:10,791 --> 00:03:13,166 that your host studied chemistry? 45 00:03:13,333 --> 00:03:16,166 Toxicology and poisons have no secrets from him. 46 00:03:16,333 --> 00:03:18,583 [Guillaume] The count murdered Victor de La Tour, 47 00:03:18,750 --> 00:03:20,541 by making people believe to poisoning. 48 00:03:20,708 --> 00:03:23,083 So, yes, the idea was brilliant, 49 00:03:23,250 --> 00:03:24,750 the crime, almost perfect. 50 00:03:24,916 --> 00:03:28,083 It was without counting on your humble servant. 51 00:03:28,250 --> 00:03:29,250 Well done. 52 00:03:32,041 --> 00:03:33,541 And we can say, count, 53 00:03:33,708 --> 00:03:35,291 that your account is good. 54 00:03:35,458 --> 00:03:37,500 - [outbursts of laughter] - [bell ring] 55 00:03:37,666 --> 00:03:39,125 [Guillaume] What is this? 56 00:03:39,291 --> 00:03:40,083 [he moans] 57 00:03:40,250 --> 00:03:42,250 - [bell] - [someone types on a keyboard] 58 00:03:42,416 --> 00:03:44,250 - Are you waiting for someone? - No. 59 00:03:44,958 --> 00:03:47,791 - [we ring again] - [he bangs his fist on the table] 60 00:03:49,083 --> 00:03:49,958 Hello. 61 00:03:50,791 --> 00:03:51,708 [annoyed sigh] 62 00:03:51,875 --> 00:03:54,541 Ida, you have a good reason to disturb me? 63 00:03:54,708 --> 00:03:55,833 When I write, 64 00:03:56,000 --> 00:03:57,916 I need calm and silence. 65 00:03:58,083 --> 00:04:00,083 I have already asked you to never 66 00:04:00,250 --> 00:04:03,166 come ring my doorbell unexpectedly, unless what? 67 00:04:03,333 --> 00:04:04,750 Fire in the building. 68 00:04:05,083 --> 00:04:06,625 - Nuclear attack. - So. 69 00:04:06,791 --> 00:04:07,791 Or serious danger. 70 00:04:07,958 --> 00:04:09,583 - Is that the case? - No, sir. 71 00:04:09,750 --> 00:04:10,916 No. So what? 72 00:04:11,083 --> 00:04:13,416 Your new neighbor across the street, Mr. Kerbec, 73 00:04:13,583 --> 00:04:14,916 third floor, courtyard, 74 00:04:15,083 --> 00:04:17,208 he asked me to give to the neighbors 75 00:04:17,375 --> 00:04:20,166 invitations to come see him play tonight. 76 00:04:20,958 --> 00:04:21,875 [contemptuous laughter] 77 00:04:22,041 --> 00:04:23,458 - Will you come? - No, Ida. 78 00:04:23,625 --> 00:04:26,625 I have something else to do, I have to stay at home. 79 00:04:26,791 --> 00:04:29,833 You never go out. You stay at home, in your pajamas. 80 00:04:32,375 --> 00:04:33,833 Come on, have a nice day. 81 00:04:34,125 --> 00:04:35,083 [epic theme] 82 00:04:35,250 --> 00:04:37,166 - [scream of fear] - William, be careful! 83 00:04:41,750 --> 00:04:43,375 Rebecca! Get out of the way. 84 00:04:53,916 --> 00:04:56,416 Go to hell, Marchenville! 85 00:04:56,583 --> 00:04:57,833 [metallic clinks] 86 00:05:07,916 --> 00:05:08,958 Thank you, Rebecca. 87 00:05:09,500 --> 00:05:10,875 [frightened moans] 88 00:05:11,041 --> 00:05:12,958 Stand up, have a little dignity. 89 00:05:13,125 --> 00:05:14,583 [enigmatic theme] 90 00:05:18,625 --> 00:05:19,750 [sly laugh] 91 00:05:19,916 --> 00:05:20,958 Now, 92 00:05:21,125 --> 00:05:22,583 we finished playing. 93 00:05:23,625 --> 00:05:25,333 You're going to feel my boot. 94 00:05:25,500 --> 00:05:27,833 The secret trick of the Marquis de la Rose. 95 00:05:28,000 --> 00:05:29,083 I'm waiting for you. 96 00:05:31,916 --> 00:05:33,625 [light metallic ringing] 97 00:05:36,750 --> 00:05:39,000 You will feel of the secret boot... 98 00:05:39,166 --> 00:05:41,625 - (From the marquis...) - From the Marquis de la Rose. 99 00:05:42,166 --> 00:05:43,500 [groans with effort] 100 00:05:43,666 --> 00:05:48,500 ["Nothing Has Caused the Human Race so Much Trouble as Intelligence"] 101 00:05:48,666 --> 00:05:51,000 [jazz theme from the film Rear window] 102 00:06:10,833 --> 00:06:14,125 Who had never seen Rear window , before today? 103 00:06:15,666 --> 00:06:16,750 Oh yes, all the same. 104 00:06:16,916 --> 00:06:18,541 What luck, I envy you. 105 00:06:18,708 --> 00:06:21,250 Godard had written in The Cinema Notebooks : 106 00:06:21,416 --> 00:06:23,500 “Hitchcock is the filmmaker of the couple.” 107 00:06:24,166 --> 00:06:25,833 And I'm talking to you about the couple 108 00:06:26,000 --> 00:06:28,333 in its most romantic version. 109 00:06:29,375 --> 00:06:30,916 Watch the number of films 110 00:06:31,083 --> 00:06:34,291 where the union of the two heroes is, in fact, the main subject. 111 00:06:34,458 --> 00:06:36,875 Hitchcock himself regretted seeing him 112 00:06:37,041 --> 00:06:39,333 as a perpetrator of crimes and not couples. 113 00:06:39,500 --> 00:06:40,333 In this, 114 00:06:40,500 --> 00:06:44,250 Rear window can be seen, for the couple of Jeff and Lisa, 115 00:06:44,416 --> 00:06:47,541 like the staging of a crisis and its resolution. 116 00:06:47,833 --> 00:06:49,041 It is this investigation 117 00:06:49,208 --> 00:06:50,666 who will bring them together. 118 00:06:51,375 --> 00:06:52,666 In Jeff's eyes, 119 00:06:52,833 --> 00:06:56,208 the risks Lisa takes make it ever more desirable, 120 00:06:56,375 --> 00:06:58,625 up to the ultimate risk which consists 121 00:06:58,791 --> 00:07:00,916 to search the murderer's apartment, 122 00:07:01,083 --> 00:07:03,791 find the alliance which she then puts on her finger 123 00:07:03,958 --> 00:07:06,083 to discreetly show it to Jeff. 124 00:07:07,166 --> 00:07:09,041 François Truffaut noted 125 00:07:09,541 --> 00:07:12,250 that here, Lisa's success was twofold. 126 00:07:12,416 --> 00:07:13,291 For what ? 127 00:07:16,416 --> 00:07:18,291 Because she succeeds in her investigation. 128 00:07:18,458 --> 00:07:20,291 And she already has the ring on her finger. 129 00:07:20,458 --> 00:07:21,541 [students laugh] 130 00:07:21,708 --> 00:07:23,458 [sweet and romantic theme] 131 00:07:47,041 --> 00:07:48,583 - Are you okay? - [light snoring] 132 00:07:49,458 --> 00:07:50,583 Hmm, that's okay. 133 00:07:51,416 --> 00:07:53,208 Sorry, I was thinking... 134 00:07:54,958 --> 00:07:56,291 It looked intense. 135 00:07:56,458 --> 00:07:59,291 Attack a new chapter, it's always a bit... 136 00:08:01,166 --> 00:08:02,291 What is this? 137 00:08:02,708 --> 00:08:05,333 Our new neighbor invites us to the theater. 138 00:08:05,500 --> 00:08:08,333 It's been forever that we didn't go there. 139 00:08:08,500 --> 00:08:11,083 It's really a thing from another era... 140 00:08:11,250 --> 00:08:13,875 In the Middle Ages, I am willing, but today... 141 00:08:14,041 --> 00:08:15,666 Then it was designed in the 18th century 142 00:08:15,833 --> 00:08:18,000 for people much smaller than us. 143 00:08:18,166 --> 00:08:20,708 We're going to be tight, no room for legs, 144 00:08:20,875 --> 00:08:22,708 folded like origami, no thanks. 145 00:08:22,875 --> 00:08:25,000 You will not be bent like origami. 146 00:08:25,166 --> 00:08:26,750 This theater room 147 00:08:26,916 --> 00:08:29,750 was designed in the 20th century for people your size. 148 00:08:30,041 --> 00:08:30,875 Let me see. 149 00:08:32,541 --> 00:08:33,416 Oh, Hamlet ... 150 00:08:33,583 --> 00:08:34,625 Hamlet , in addition. 151 00:08:34,791 --> 00:08:36,666 It lasts at least two hours, that. 152 00:08:36,833 --> 00:08:38,708 - And it's in the suburbs. - But... 153 00:08:40,125 --> 00:08:42,625 - No, it's in the 13th. - That's what I'm saying. 154 00:08:42,791 --> 00:08:43,583 You're exaggerating. 155 00:08:43,750 --> 00:08:44,916 [François blows] 156 00:08:45,250 --> 00:08:48,750 Enjoy your beautiful hours, Laertes, enjoy your time, 157 00:08:48,916 --> 00:08:51,666 use it as you wish of your most charming virtues. 158 00:08:58,250 --> 00:08:59,875 But you, Hamlet... 159 00:09:01,041 --> 00:09:03,500 It's not him, the new neighbor across the street? 160 00:09:03,666 --> 00:09:05,208 It's him there, isn't it? 161 00:09:05,833 --> 00:09:07,708 - Which ? - The one who plays Hamlet. 162 00:09:07,875 --> 00:09:09,208 - (Shh!) - (Yeah...) 163 00:09:09,375 --> 00:09:10,458 Dear Hamlet! 164 00:09:11,000 --> 00:09:13,125 Get rid of that nighttime color. 165 00:09:13,291 --> 00:09:15,750 - There's Ida, the concierge. - [François laughs] 166 00:09:17,916 --> 00:09:19,125 The Frémonts too. 167 00:09:19,291 --> 00:09:21,208 Don't look for your noble father... 168 00:09:21,375 --> 00:09:22,875 Oh yes, it's funny. 169 00:09:23,750 --> 00:09:25,875 The funny thing is that he's sleeping. 170 00:09:26,041 --> 00:09:27,500 (Shh! That’s enough.) 171 00:09:27,666 --> 00:09:30,458 (It's okay, we're not at the library, either.) 172 00:09:32,000 --> 00:09:33,208 [exasperated sigh] 173 00:09:33,375 --> 00:09:34,875 [long tirade from Hamlet] 174 00:09:37,291 --> 00:09:39,333 [actor imitates a gunshot] 175 00:09:40,166 --> 00:09:42,916 It still exists, intermissions at the theater? 176 00:09:43,083 --> 00:09:44,125 What a scam! 177 00:09:44,291 --> 00:09:46,333 You think it's over, but no. 178 00:09:46,500 --> 00:09:47,583 It's only half. 179 00:09:47,750 --> 00:09:50,041 We haven't had yet " To be or not to be. " 180 00:09:50,208 --> 00:09:51,541 Will it last long? 181 00:09:51,708 --> 00:09:54,083 - “Approximate duration, 3h45”. - 3 a.m., what? 182 00:09:54,250 --> 00:09:56,666 - It's marked there, I hadn't seen it. - Hell! 183 00:09:56,833 --> 00:09:58,791 3:45 a.m., that’s not fucking possible. 184 00:09:58,958 --> 00:10:00,958 It's not a play, it's a life. 185 00:10:01,125 --> 00:10:02,666 Tell me you have Xanax. 186 00:10:02,833 --> 00:10:04,333 What are you looking at? 187 00:10:04,500 --> 00:10:05,333 What ? 188 00:10:10,708 --> 00:10:11,583 What ? 189 00:10:11,791 --> 00:10:14,291 It's fun to argue without speaking to each other. 190 00:10:16,208 --> 00:10:17,083 Yeah... 191 00:10:17,708 --> 00:10:19,208 Ah, there are the Frémonts. 192 00:10:19,958 --> 00:10:22,000 Yes, I saw it, don't look at them. 193 00:10:22,166 --> 00:10:23,708 I don't want to talk to them. 194 00:10:23,875 --> 00:10:25,333 Come on. They saw us. 195 00:10:27,666 --> 00:10:29,041 Hello, neighbors, 196 00:10:29,208 --> 00:10:30,500 Are you okay? - Cuckoo ! 197 00:10:30,666 --> 00:10:32,375 - Good evening, Ida. - Good evening. 198 00:10:32,916 --> 00:10:33,916 You have come. 199 00:10:34,083 --> 00:10:36,416 You took off your pajamas, that's good. 200 00:10:37,125 --> 00:10:38,041 [chuckle] 201 00:10:38,333 --> 00:10:41,000 - I'm going to get myself a drink. - Do that, yes. 202 00:10:42,166 --> 00:10:44,000 And did you like the piece? 203 00:10:44,166 --> 00:10:46,666 - I found it very good. - Disgusting. 204 00:10:46,833 --> 00:10:49,166 Oh yeah, I was close to sleep. 205 00:10:49,333 --> 00:10:52,666 - Two tiny fingers... - Yeah well, to be honest, 206 00:10:52,833 --> 00:10:55,541 we hesitated to take advantage of the intermission to leave. 207 00:10:55,708 --> 00:10:57,583 - But that doesn't happen. - Great idea! 208 00:10:57,750 --> 00:10:59,875 We don't care if it doesn't happen. 209 00:11:00,041 --> 00:11:01,375 There are no rules. 210 00:11:01,541 --> 00:11:03,958 - We do what we want. - No, that doesn't happen. 211 00:11:04,125 --> 00:11:05,916 - But... - It doesn't happen. 212 00:11:06,500 --> 00:11:08,416 - That's a bit rude. - We don't care. 213 00:11:08,583 --> 00:11:10,416 - [ring] - Ah, it's ours. 214 00:11:10,583 --> 00:11:12,333 We're leaving, we still can. 215 00:11:12,500 --> 00:11:14,208 Okay, come on, let's go. 216 00:11:14,791 --> 00:11:16,166 I'm going to the bathroom. 217 00:11:16,916 --> 00:11:17,958 Tell me, Carole, 218 00:11:18,125 --> 00:11:19,791 Do you take Xanax? 219 00:11:19,958 --> 00:11:22,875 I'm Sophie, but I have vitamin C. 220 00:11:23,041 --> 00:11:24,916 - [ring] - [François blows] 221 00:11:25,625 --> 00:11:27,625 [actor] What a bloody whiplash... 222 00:11:27,791 --> 00:11:30,208 Look, they're not there anymore, they left. 223 00:11:31,666 --> 00:11:32,666 Ah yes, say so. 224 00:11:34,125 --> 00:11:35,250 It's not classy. 225 00:11:36,666 --> 00:11:38,000 And on the other hand, 226 00:11:38,166 --> 00:11:39,958 we didn’t choose to see that. 227 00:11:40,125 --> 00:11:42,666 - (It’s not going to start again!) - (It's okay, slowly.) 228 00:11:45,041 --> 00:11:46,541 (Oh, shit party.) 229 00:11:46,708 --> 00:11:47,625 [Colette sighs] 230 00:11:48,666 --> 00:11:49,583 Be 231 00:11:50,708 --> 00:11:51,708 or not to be, 232 00:11:53,000 --> 00:11:54,083 that's the question. 233 00:11:55,875 --> 00:11:57,666 Is it nobler for a soul 234 00:11:57,833 --> 00:12:00,083 to suffer arrows and blows... 235 00:12:00,250 --> 00:12:02,625 [Guillaume] You will feel of the secret boot... 236 00:12:03,125 --> 00:12:04,708 of the Marquis de la Rose. 237 00:12:05,416 --> 00:12:06,458 [thriller theme] 238 00:12:11,375 --> 00:12:13,166 [metallic clinks] 239 00:12:13,333 --> 00:12:14,500 [symphonic flight] 240 00:12:17,125 --> 00:12:18,166 [applause] 241 00:12:27,916 --> 00:12:29,666 We don't know him, it's embarrassing. 242 00:12:29,833 --> 00:12:32,708 He invited us, we congratulate him and thank him. 243 00:12:32,875 --> 00:12:33,791 Congratulate him? 244 00:12:33,958 --> 00:12:36,125 - Well yes. - I don't know what to say to him. 245 00:12:36,291 --> 00:12:39,125 - Did you like anything? - No, nothing, but then nothing. 246 00:12:39,291 --> 00:12:40,125 - Nothing ? - No. 247 00:12:41,000 --> 00:12:44,208 In addition, I have a little sleepy, I must admit. 248 00:12:44,375 --> 00:12:46,041 A little sleepy? 249 00:12:46,208 --> 00:12:48,541 You slept the last three acts. 250 00:12:48,708 --> 00:12:51,416 You have to exaggerate everything, all the time? 251 00:12:51,583 --> 00:12:53,750 Ah but it's not me, you snored. 252 00:12:53,916 --> 00:12:56,458 - I tried to wake you up. - I don't snore. 253 00:12:56,625 --> 00:12:59,166 - I don't snore. - But yes, every night. 254 00:12:59,333 --> 00:13:00,500 But it doesn't matter. 255 00:13:00,666 --> 00:13:02,708 I can sleep on the couch, huh? 256 00:13:02,875 --> 00:13:05,333 But it's already been six months that I do this! 257 00:13:05,500 --> 00:13:08,291 Look, it was you who wanted this, it's not me. 258 00:13:08,458 --> 00:13:10,666 - What do you want ? - Excuse me ! 259 00:13:10,833 --> 00:13:13,041 Yann Kerbec's dressing room, please. 260 00:13:13,208 --> 00:13:15,458 At the end of the corridor and to the right. 261 00:13:15,625 --> 00:13:16,541 THANKS. 262 00:13:18,916 --> 00:13:20,083 - Well come on. - No. 263 00:13:20,250 --> 00:13:21,208 [Colette moans] 264 00:13:33,625 --> 00:13:34,541 (Hey, hey, hey...) 265 00:13:34,708 --> 00:13:36,458 - (Come on, let's leave.) - No, wait. 266 00:13:36,625 --> 00:13:38,083 They argue, we leave. 267 00:13:40,000 --> 00:13:42,166 - Good evening. - Are you looking for something? 268 00:13:42,333 --> 00:13:44,916 We wanted to congratulate you, we are your neighbors. 269 00:13:45,083 --> 00:13:46,416 You invited us. 270 00:13:46,583 --> 00:13:48,625 Excuse me, I didn't recognize you. 271 00:13:48,958 --> 00:13:51,125 It's normal, we don't know each other. 272 00:13:51,625 --> 00:13:52,708 It's not false. 273 00:13:53,833 --> 00:13:56,916 Yeah, we just moved with Nathalie, my wife, 274 00:13:57,083 --> 00:13:58,625 that you just saw. 275 00:14:02,500 --> 00:14:03,625 Shall we have a drink? 276 00:14:03,791 --> 00:14:05,083 Yes, great! 277 00:14:05,250 --> 00:14:07,250 Shall we meet at the theater bar? 278 00:14:07,750 --> 00:14:09,083 In five minutes. 279 00:14:09,250 --> 00:14:10,250 My pleasure. 280 00:14:10,416 --> 00:14:12,125 [together] See you right away. 281 00:14:12,291 --> 00:14:13,666 - (We leave.) - What? 282 00:14:13,833 --> 00:14:15,166 We're leaving, we're leaving! 283 00:14:15,333 --> 00:14:18,291 - But no, that doesn't happen. - No, no, we're leaving! 284 00:14:18,458 --> 00:14:19,500 Yes, okay. 285 00:14:20,166 --> 00:14:23,500 Really well done, because It's not easy, Shakespeare... 286 00:14:23,666 --> 00:14:26,458 and you are intense, complex, powerful... 287 00:14:26,625 --> 00:14:27,500 sensitive. 288 00:14:28,125 --> 00:14:31,125 - It touched me a lot. - Thank you so much. 289 00:14:31,291 --> 00:14:34,708 - Congratulations, it was great. - Thank you, ma'am. 290 00:14:34,875 --> 00:14:37,458 Emma, ​​you give me a triple sec. THANKS. 291 00:14:38,458 --> 00:14:41,958 Yeah, I wanted to add modernity, dynamism... 292 00:14:42,125 --> 00:14:44,666 make it so enjoyable, thank you, 293 00:14:44,833 --> 00:14:48,583 to the neophyte as well as to the scholar, well I hoped, but hey... 294 00:14:50,291 --> 00:14:51,791 - Are you okay? - Hmm ? 295 00:14:52,541 --> 00:14:55,125 - Are you doing well ? - Yes, yes, no, it's... 296 00:14:55,291 --> 00:14:58,083 My wife is a little on edge, right now. 297 00:14:58,250 --> 00:15:01,500 It’s her theater, she invested a lot in this show 298 00:15:02,291 --> 00:15:06,291 and he does not meet with success that we wished for him for the moment. 299 00:15:06,583 --> 00:15:08,208 And you, did you like it? 300 00:15:08,375 --> 00:15:11,708 - I was transported... really. - Oh, great. 301 00:15:12,291 --> 00:15:14,416 You thought to shorten a little? 302 00:15:14,583 --> 00:15:18,500 I've already reduced, you know, the entirety of Hamlet , it's 5 a.m. 303 00:15:18,666 --> 00:15:19,750 It was great. 304 00:15:19,916 --> 00:15:22,291 - Connection of act 2, 5 p.m. - Yes of course. 305 00:15:22,458 --> 00:15:23,500 There were people. 306 00:15:23,666 --> 00:15:25,958 At the same time, when it's free... 307 00:15:26,916 --> 00:15:29,541 No but I'm sure that it will work. 308 00:15:29,833 --> 00:15:33,166 If you liked it, talk about it around you, please. 309 00:15:33,333 --> 00:15:35,833 That's why I invited the whole building, 310 00:15:36,000 --> 00:15:38,083 to make it work word of mouth. 311 00:15:38,250 --> 00:15:41,458 You, if you didn't like it, be silent forever. 312 00:15:42,333 --> 00:15:43,875 Just kidding, have a good evening. 313 00:15:44,041 --> 00:15:45,583 [Colette bursts out laughing] 314 00:15:46,125 --> 00:15:48,208 Okay, shall we go now? 315 00:15:49,916 --> 00:15:51,666 [traditional Chinese music] 316 00:15:51,833 --> 00:15:54,375 - He hit on you, didn't he? - But anything. 317 00:15:54,541 --> 00:15:55,958 Yes, he hit on you, yes. 318 00:15:56,125 --> 00:15:58,500 On the other hand, he was very aggressive with me. 319 00:15:58,666 --> 00:16:00,291 He told me to shut up forever. 320 00:16:00,458 --> 00:16:01,875 He's crazy, this guy. 321 00:16:02,583 --> 00:16:03,916 Then frankly, 322 00:16:04,625 --> 00:16:06,250 invite all your neighbors, 323 00:16:06,416 --> 00:16:08,791 It's pathetic... pathetic. 324 00:16:09,083 --> 00:16:10,458 I distribute my books 325 00:16:10,625 --> 00:16:13,458 to everyone? Read me! - [smug laughter] 326 00:16:15,000 --> 00:16:16,541 - Thank you. - Thank you ma'am. 327 00:16:22,458 --> 00:16:25,625 "The truth is on the move and nothing will stop him." 328 00:16:28,541 --> 00:16:31,666 - But what is the truth? - What, what truth? 329 00:16:31,833 --> 00:16:33,583 We are not going to give importance 330 00:16:33,750 --> 00:16:36,375 to messages Chinese cupcakes. 331 00:16:37,333 --> 00:16:38,916 "The prediction you've been waiting for 332 00:16:39,083 --> 00:16:41,333 "lies in another fortune cookie ." 333 00:16:41,500 --> 00:16:43,458 Anything. Who wrote this? 334 00:16:43,625 --> 00:16:46,708 Excuse me, can I have another fortune cookie ? 335 00:16:46,875 --> 00:16:49,500 There's a guy who gets paid to think about that? 336 00:16:49,666 --> 00:16:51,625 Employee, an office, a computer? 337 00:16:52,500 --> 00:16:53,916 Come on, go ahead, open up. 338 00:16:54,708 --> 00:16:57,958 That would mean that I grant of the importance of these messages. 339 00:16:58,458 --> 00:16:59,375 And so? 340 00:16:59,833 --> 00:17:01,375 It's not very rational. 341 00:17:01,541 --> 00:17:02,875 Come on, open it. 342 00:17:06,833 --> 00:17:08,291 (Tin tin tin...) 343 00:17:09,375 --> 00:17:10,750 - There's nothing. - How so ? 344 00:17:10,916 --> 00:17:12,458 No stupid predictions. 345 00:17:12,625 --> 00:17:14,750 The guy who had to put the message, 346 00:17:14,916 --> 00:17:17,958 he was on the phone when the cake is served. 347 00:17:18,125 --> 00:17:19,333 That's it, that's all. 348 00:17:21,458 --> 00:17:22,416 What ? 349 00:17:23,041 --> 00:17:26,750 " Fortune cookie without message, sign of bad omen." 350 00:17:27,416 --> 00:17:29,250 "The fortune cookie empty message 351 00:17:29,416 --> 00:17:33,541 "can mean the disappearance of an important part of your life. 352 00:17:33,708 --> 00:17:36,041 - “Be careful.” - Anything... 353 00:17:36,208 --> 00:17:39,208 I don't want to hear anymore of this bullshit. 354 00:17:39,375 --> 00:17:41,583 [soft and mysterious piano theme] 355 00:17:58,500 --> 00:17:59,833 [Colette] Good night. 356 00:18:27,875 --> 00:18:29,500 [theme darkens] 357 00:18:46,375 --> 00:18:48,625 [the tension rises to a crescendo] 358 00:18:57,833 --> 00:18:59,250 Oh damn! 359 00:18:59,416 --> 00:19:00,500 Come see! 360 00:19:00,791 --> 00:19:02,708 - What ? - But come, come, come. 361 00:19:02,875 --> 00:19:04,958 [a dog barks] 362 00:19:17,375 --> 00:19:20,583 - Are you sure he hit her? - But yes, I think so. 363 00:19:20,750 --> 00:19:23,041 - Do you think so or are you sure? - I don't know. 364 00:19:23,208 --> 00:19:25,041 He disappeared behind the wall, 365 00:19:25,208 --> 00:19:27,166 then he reappeared and saw me. 366 00:19:29,250 --> 00:19:30,416 Did he look at you? 367 00:19:30,583 --> 00:19:32,166 Wait, I have a hunch. 368 00:19:32,333 --> 00:19:34,541 It happened something serious. 369 00:19:34,708 --> 00:19:38,125 - Should we call the police? - The FBI, too! But it's not okay? 370 00:19:38,291 --> 00:19:40,291 You don't call the police like that! 371 00:19:40,458 --> 00:19:41,791 Have you ever blocked a train? 372 00:19:41,958 --> 00:19:44,541 because you were sure that there was a bomb. 373 00:19:44,708 --> 00:19:46,916 There was nothing! Stop with your intuitions. 374 00:19:47,083 --> 00:19:48,291 It's paranoia. 375 00:19:48,458 --> 00:19:50,250 You've seen too much Rear window. 376 00:19:50,416 --> 00:19:51,750 A couple arguing, 377 00:19:51,916 --> 00:19:54,458 it happens every day, all over the world. 378 00:19:54,625 --> 00:19:55,500 We know it well. 379 00:19:55,666 --> 00:19:59,375 Getting hit with a statuette, Is that real life? 380 00:19:59,541 --> 00:20:02,041 But can you hear yourself a little now? Oh ! 381 00:20:02,833 --> 00:20:03,708 Calm down. 382 00:20:09,541 --> 00:20:12,000 Colette, stop looking like that. 383 00:20:12,875 --> 00:20:13,791 Good night ! 384 00:20:13,958 --> 00:20:15,625 [dark and dissonant theme] 385 00:20:29,875 --> 00:20:32,250 You spent your night to look out the window? 386 00:20:33,416 --> 00:20:35,166 I haven't stopped thinking about it. 387 00:20:35,333 --> 00:20:38,458 It was very shocking, you know, it was violent. 388 00:20:38,625 --> 00:20:42,291 - Their curtains are always closed. - They have the right to argue. 389 00:20:42,458 --> 00:20:44,583 Listen to me, he may have killed her. 390 00:20:46,750 --> 00:20:49,375 Yes, he... Did he kill her, outright? 391 00:20:49,750 --> 00:20:52,125 - What are you talking about ? - Nevermind. 392 00:20:53,125 --> 00:20:54,208 Let go. 393 00:20:54,375 --> 00:20:55,333 Good day. 394 00:20:57,208 --> 00:20:58,666 Well... have a good day. 395 00:20:58,833 --> 00:20:59,916 [door slams] 396 00:21:11,625 --> 00:21:13,541 - Oh! - [he coughs] 397 00:21:13,708 --> 00:21:14,875 Sorry. Good morning. 398 00:21:15,333 --> 00:21:16,333 Good morning. 399 00:21:16,500 --> 00:21:19,708 I'm sorry about yesterday, I wasn't in good shape, sorry. 400 00:21:19,875 --> 00:21:22,166 Oh no, there's no problem. 401 00:21:22,583 --> 00:21:25,708 - Did things work out with your wife? - Yes, fortunately! 402 00:21:25,875 --> 00:21:27,666 I brought him some croissants. 403 00:21:29,083 --> 00:21:31,125 Thank you for coming to see the play. 404 00:21:31,291 --> 00:21:34,583 - It's very nice. - Thank you for inviting us. 405 00:21:38,208 --> 00:21:39,708 Did you have any questions? 406 00:21:39,875 --> 00:21:41,000 - Me ? - Yes. 407 00:21:41,375 --> 00:21:42,458 No, why? 408 00:21:43,291 --> 00:21:44,416 No, like that. 409 00:21:45,000 --> 00:21:45,916 Good day. 410 00:21:46,250 --> 00:21:47,875 Well yes, have a good day. 411 00:21:59,916 --> 00:22:02,041 [dancing baroque theme] 412 00:22:02,208 --> 00:22:03,833 [neighing sounds] 413 00:22:05,916 --> 00:22:08,000 What is this secret weapon? 414 00:22:08,166 --> 00:22:10,375 The secret trick of the Marquis de la Rose. 415 00:22:10,541 --> 00:22:13,500 - It's a long story. - Well, go ahead. 416 00:22:13,666 --> 00:22:17,541 Paris is 3 hours away by diligence, That leaves us plenty of time. 417 00:22:18,750 --> 00:22:19,833 What... 418 00:22:20,458 --> 00:22:23,125 you would like to do something else, William? 419 00:22:25,125 --> 00:22:27,708 Maybe you have another idea in mind? 420 00:22:27,875 --> 00:22:29,458 [loud neighing] 421 00:22:30,708 --> 00:22:33,583 The story of the secret boot of the Marquis de la Rose 422 00:22:33,750 --> 00:22:35,916 goes back to my late great-grandfather, 423 00:22:36,333 --> 00:22:38,583 Duke Charles-Henri de la Rose. 424 00:22:39,000 --> 00:22:41,208 An excellent swashbuckler. Excellent. 425 00:22:41,958 --> 00:22:42,916 [sigh] 426 00:22:49,833 --> 00:22:50,916 That's good. 427 00:22:51,916 --> 00:22:53,458 [bursts of laughter] 428 00:22:53,625 --> 00:22:54,875 - [relieved sigh] - Thank you. 429 00:22:55,041 --> 00:22:57,125 Yes, well done, that’s good, that’s good. 430 00:22:57,500 --> 00:22:59,541 But just tell me one thing. 431 00:23:00,208 --> 00:23:02,916 When does the Marquis of the Rose 432 00:23:03,375 --> 00:23:04,625 will get bolder... 433 00:23:05,166 --> 00:23:08,250 and stick his tongue in in Rebecca's mouth? 434 00:23:08,416 --> 00:23:11,208 And when I say his language, I'm thinking of something else. 435 00:23:11,375 --> 00:23:13,458 Yes, I see... Elizabeth, you know, 436 00:23:13,625 --> 00:23:14,833 I am convinced 437 00:23:15,000 --> 00:23:17,500 that sexual tension between the two characters 438 00:23:17,666 --> 00:23:20,708 pushes the reader to... - No, stop, François! 439 00:23:20,875 --> 00:23:21,791 Okay, that was... 440 00:23:22,750 --> 00:23:25,625 original, this platonic relationship, 441 00:23:25,875 --> 00:23:28,541 but finally, in the thirteenth volume! 442 00:23:29,791 --> 00:23:32,500 We still want who, who, what is happening... 443 00:23:33,166 --> 00:23:34,083 finally... 444 00:23:34,416 --> 00:23:37,541 Attention, François, not to lose your readers. 445 00:23:40,666 --> 00:23:43,166 [the wheels of his chair squeak] 446 00:23:44,708 --> 00:23:47,958 What's going on, my little François, eh? 447 00:23:48,458 --> 00:23:51,250 I feel there is something which is wrong. 448 00:23:52,750 --> 00:23:55,708 Things are better with your wife, That’s it, huh? 449 00:23:58,333 --> 00:24:01,666 Reassure me, you're still fucking from time to time? 450 00:24:02,458 --> 00:24:03,416 Yeah. 451 00:24:03,750 --> 00:24:04,833 Yes of course. 452 00:24:09,958 --> 00:24:12,083 [a key turns in the lock] 453 00:24:17,041 --> 00:24:18,791 Are you still thinking? 454 00:24:18,958 --> 00:24:21,666 Hello already, perhaps, to start? 455 00:24:23,833 --> 00:24:25,625 I have a question to ask you. 456 00:24:25,791 --> 00:24:27,833 How long has it been since you and me... 457 00:24:28,000 --> 00:24:30,125 Did the curtains stay closed? 458 00:24:31,458 --> 00:24:34,625 I don't spend my days looking at the neighbors. 459 00:24:34,791 --> 00:24:37,708 - What did you buy there? - I have a presentiment. 460 00:24:37,875 --> 00:24:39,041 What presentiment? 461 00:24:39,208 --> 00:24:41,833 I really think that he killed his wife. 462 00:24:42,291 --> 00:24:43,875 Colette, frankly... 463 00:24:44,583 --> 00:24:46,166 it borders on obsession. 464 00:24:51,166 --> 00:24:52,125 Shit. 465 00:24:55,583 --> 00:24:56,416 What ? 466 00:25:00,375 --> 00:25:01,291 Oh well... 467 00:25:01,458 --> 00:25:02,625 [mocking laughter] 468 00:25:03,708 --> 00:25:06,708 For a dead woman, she is... she is in good shape. 469 00:25:07,708 --> 00:25:08,541 Hmm ? 470 00:25:08,708 --> 00:25:11,541 They were cheap, your twins, I hope. 471 00:25:12,291 --> 00:25:14,333 They are both beautiful... 472 00:25:15,458 --> 00:25:16,625 He's hot. 473 00:25:18,291 --> 00:25:20,500 - She's very lucky. - What ? 474 00:25:20,666 --> 00:25:22,666 - He looked at me! - Obviously. 475 00:25:22,833 --> 00:25:24,625 You're posted in front of their window. 476 00:25:26,375 --> 00:25:27,333 Or... 477 00:25:28,000 --> 00:25:30,583 - Or what? - He knew I was looking at him. 478 00:25:31,166 --> 00:25:33,791 - You know what, but obviously. - Well yes. 479 00:25:33,958 --> 00:25:35,125 But you're right. 480 00:25:35,291 --> 00:25:38,958 It's obvious that you're crazy, you're a psychopath, stop! 481 00:25:39,125 --> 00:25:39,958 [Colette sighs] 482 00:25:40,125 --> 00:25:43,458 No but you're right, I watch too much Rear window . 483 00:25:43,625 --> 00:25:46,583 Okay, you can answer my question, please? 484 00:25:46,750 --> 00:25:49,250 - What question? - The one I asked you. 485 00:25:50,041 --> 00:25:51,708 Well go ahead, I’m listening! 486 00:25:53,416 --> 00:25:56,416 Rebecca and William, should they sleep together? 487 00:25:56,583 --> 00:25:57,958 Well yes, obviously. 488 00:25:58,708 --> 00:26:00,916 - Obviously ? - For a long time. 489 00:26:01,208 --> 00:26:04,583 - Why didn't you tell me before? - You never asked me. 490 00:26:04,750 --> 00:26:06,041 Oh yeah okay. 491 00:26:07,125 --> 00:26:08,541 - What ? - Nothing, it's okay. 492 00:26:08,708 --> 00:26:10,750 - What is it? - Nothing ! 493 00:26:13,250 --> 00:26:16,416 "The marquis undid his pants with a feverish gesture, 494 00:26:16,583 --> 00:26:18,958 "revealing his erect, veined member, 495 00:26:19,125 --> 00:26:21,166 "throbbing with impatient desire. 496 00:26:21,333 --> 00:26:24,041 "Rebecca looked at him, intimidated and fascinated, 497 00:26:24,208 --> 00:26:25,083 "then leaned down, 498 00:26:25,250 --> 00:26:28,250 "letting her wet tongue slide along his flesh, 499 00:26:28,416 --> 00:26:30,958 "enveloping him with his mouth slow and burning. 500 00:26:31,125 --> 00:26:32,750 "The marquis closed his eyes, 501 00:26:32,916 --> 00:26:33,875 "groaning, 502 00:26:34,958 --> 00:26:37,125 “like it’s the first time.” 503 00:26:37,291 --> 00:26:39,291 [return of the baroque theme] 504 00:26:39,458 --> 00:26:41,625 "The first name, so desired, 505 00:26:42,166 --> 00:26:43,291 “Rebecca…” 506 00:26:43,583 --> 00:26:44,958 With several "a". 507 00:26:47,083 --> 00:26:47,958 There you go. 508 00:26:48,541 --> 00:26:49,583 That's good! 509 00:26:50,250 --> 00:26:51,916 "Guillaume couldn't hold back 510 00:26:52,083 --> 00:26:54,541 "and buried himself deep inside her. 511 00:26:54,958 --> 00:26:59,041 "Rebecca's nails scratched the leather of the stagecoach seats. 512 00:26:59,333 --> 00:27:01,083 "Impaled to the hilt, 513 00:27:02,416 --> 00:27:04,416 "his body began to tremble. 514 00:27:04,583 --> 00:27:07,083 "When at last he poured himself into her, 515 00:27:07,250 --> 00:27:10,583 "she was shaken by a violent spasm and she screamed. 516 00:27:11,791 --> 00:27:12,666 "A short cry, 517 00:27:12,833 --> 00:27:16,250 "quickly smothered by the memory of his good education." 518 00:27:16,416 --> 00:27:17,333 Well... 519 00:27:18,125 --> 00:27:20,500 Not bad for a first draft. 520 00:27:20,666 --> 00:27:23,333 Oh yes, yes, it's a first draft... 521 00:27:24,458 --> 00:27:25,291 Well what? 522 00:27:26,125 --> 00:27:29,291 You don't think it should go a little more... 523 00:27:29,458 --> 00:27:30,500 gradually ? 524 00:27:32,541 --> 00:27:35,458 - I don't know, maybe. - You see, foreplay. 525 00:27:36,125 --> 00:27:38,833 But that's it, you know, the preliminaries. 526 00:27:39,000 --> 00:27:39,916 Hmm. 527 00:27:40,708 --> 00:27:42,333 Sweet little words... 528 00:27:43,500 --> 00:27:46,000 Lips which arise on the body. 529 00:27:47,166 --> 00:27:48,916 Naughty little words. 530 00:27:49,250 --> 00:27:51,208 Very little naughty words. 531 00:27:52,625 --> 00:27:54,833 Would you like us to tell you? 532 00:27:58,708 --> 00:28:00,583 Oh dear, I'm late. 533 00:28:07,333 --> 00:28:08,166 See you all! 534 00:28:08,333 --> 00:28:10,458 Wait... What kind of dirty words? 535 00:28:10,625 --> 00:28:12,291 You'll find it, I'm sure. 536 00:28:12,458 --> 00:28:13,791 [she slams the door] 537 00:28:15,208 --> 00:28:16,333 Oh my... 538 00:28:16,875 --> 00:28:20,000 This is the effect of diligence Who makes you so naughty? 539 00:28:20,166 --> 00:28:21,666 [dancing baroque theme] 540 00:28:41,416 --> 00:28:43,250 - Hey, hello. - Good morning. 541 00:28:52,750 --> 00:28:55,250 That's good, I wanted to talk to you. 542 00:28:56,125 --> 00:28:58,375 It's a little embarrassing, but... 543 00:28:58,541 --> 00:29:01,625 I have the impression that you look at my house... 544 00:29:01,958 --> 00:29:03,708 that you are spying on me. - [laughing] 545 00:29:04,708 --> 00:29:05,833 - Me? - Yes. 546 00:29:06,000 --> 00:29:07,750 Oh no, not at all. 547 00:29:08,083 --> 00:29:10,083 I... I look out the window. 548 00:29:10,583 --> 00:29:12,375 I daydream, I, I... 549 00:29:13,041 --> 00:29:14,458 I imagine things. 550 00:29:17,666 --> 00:29:19,083 What do you imagine? 551 00:29:22,125 --> 00:29:23,916 I don't know, things. 552 00:29:26,625 --> 00:29:28,500 When we look at others, 553 00:29:28,666 --> 00:29:30,583 it’s that we look more at home. 554 00:29:30,750 --> 00:29:33,708 [dark and disturbing theme] 555 00:29:33,875 --> 00:29:37,458 Or we don't feel enough watching, perhaps? 556 00:29:38,750 --> 00:29:39,583 Hmm ? 557 00:29:39,750 --> 00:29:41,458 Does your husband look at you? 558 00:29:41,625 --> 00:29:42,750 - My husband? - Yes. 559 00:29:42,916 --> 00:29:45,333 - Yes, I think so, yes. - Do you believe? 560 00:29:47,250 --> 00:29:50,708 Me, I believe that you are a very beautiful flower, 561 00:29:50,875 --> 00:29:54,333 and that would be a shame not to look at a beautiful flower, 562 00:29:54,500 --> 00:29:56,750 to let it fade, no, no! 563 00:29:56,916 --> 00:30:00,375 Listen, I'm really sorry for my lack of discretion, 564 00:30:00,541 --> 00:30:02,833 but we'll stop there. Have a good end of the day. 565 00:30:03,291 --> 00:30:04,333 To you too. 566 00:30:18,958 --> 00:30:20,291 [thriller theme] 567 00:30:48,458 --> 00:30:51,500 You don't want to stop with these binoculars, it's ridiculous. 568 00:30:55,166 --> 00:30:57,166 - [annoyed sigh] - He saw me again. 569 00:30:57,333 --> 00:30:58,625 Obviously, 570 00:30:58,791 --> 00:31:00,083 you just observe it. 571 00:31:00,250 --> 00:31:03,125 He will be wary, suspect something. 572 00:31:06,166 --> 00:31:07,291 [tone] 573 00:31:12,416 --> 00:31:13,833 - Yes, hello. - Yann? 574 00:31:14,916 --> 00:31:17,125 - It's Colette again. - Oh! 575 00:31:17,291 --> 00:31:19,666 I wanted to know if you and your wife 576 00:31:19,833 --> 00:31:22,791 want to come and have a drink? - (What? No.) 577 00:31:22,958 --> 00:31:23,708 (No!) 578 00:31:24,666 --> 00:31:25,666 Why? 579 00:31:25,833 --> 00:31:27,041 - For what ? - Yes. 580 00:31:28,625 --> 00:31:29,833 Well we left 581 00:31:30,000 --> 00:31:31,375 on a bad foot... 582 00:31:31,541 --> 00:31:34,000 No, I'm sorry, it's going to be complicated. 583 00:31:34,166 --> 00:31:37,291 I have something interesting to show you. 584 00:31:45,375 --> 00:31:48,000 In this case... What time are we coming? 585 00:31:48,166 --> 00:31:49,958 - 7 p.m.? - 7 p.m. is perfect. 586 00:31:50,125 --> 00:31:52,083 Well very good, it's perfect. 587 00:31:52,250 --> 00:31:53,208 See you tonight. 588 00:31:53,583 --> 00:31:54,583 See you tonight. 589 00:31:58,625 --> 00:32:00,375 - Why are you doing this? - Wait! 590 00:32:00,541 --> 00:32:02,541 - What's the goal? - Listen to me. 591 00:32:02,708 --> 00:32:04,250 I have a mission for you. 592 00:32:04,416 --> 00:32:05,458 I won't be there. 593 00:32:05,625 --> 00:32:08,500 I will go to a restaurant, to the cinema... everywhere except here. 594 00:32:08,666 --> 00:32:10,458 Just take off your pajamas. 595 00:32:17,750 --> 00:32:18,666 Good morning. 596 00:32:19,708 --> 00:32:21,875 Ah, how are you, neighbor? 597 00:32:22,041 --> 00:32:24,041 Things are going very well and you? Tell me, 598 00:32:24,208 --> 00:32:25,291 we looked for you, 599 00:32:25,458 --> 00:32:26,708 after the play. 600 00:32:27,000 --> 00:32:27,958 Oh... 601 00:32:28,125 --> 00:32:29,250 Um... no. 602 00:32:29,416 --> 00:32:31,250 But that's because... 603 00:32:31,708 --> 00:32:33,208 We had a babysitter. 604 00:32:33,375 --> 00:32:34,041 Oh yes. 605 00:32:34,208 --> 00:32:36,250 We didn't know that it was that long. 606 00:32:36,416 --> 00:32:38,458 It's true that suddenly, I admit... 607 00:32:38,625 --> 00:32:40,583 we left like thieves. 608 00:32:40,750 --> 00:32:43,208 - A little after the intermission too. - [laughing] 609 00:32:43,375 --> 00:32:45,541 Had to free the babysitter. 610 00:32:45,708 --> 00:32:47,500 - Ah yes, the babysitter. - Yes. 611 00:32:47,666 --> 00:32:48,958 The babysitter 612 00:32:49,125 --> 00:32:51,250 had to wonder what the hell she was doing there. 613 00:32:51,416 --> 00:32:53,583 - Since you don't have children. - [laughs] 614 00:32:56,458 --> 00:32:58,333 Just kidding, who cares? 615 00:32:59,166 --> 00:33:00,791 What brings you here? 616 00:33:01,791 --> 00:33:03,916 Hey, hello, look! 617 00:33:06,166 --> 00:33:07,291 What is this? 618 00:33:07,458 --> 00:33:08,958 Glasses that film. 619 00:33:09,125 --> 00:33:10,958 I went to the Frémonts! 620 00:33:11,125 --> 00:33:12,625 No, but it's ridiculous! 621 00:33:14,250 --> 00:33:16,291 I made do with what I had. 622 00:33:17,375 --> 00:33:18,750 And what do I do then? 623 00:33:18,916 --> 00:33:20,375 Wide or medium shots? 624 00:33:20,541 --> 00:33:22,125 - Keep it basic. - I know you. 625 00:33:22,291 --> 00:33:24,125 With your professional eye, you will judge me. 626 00:33:24,291 --> 00:33:26,458 Like for your birthday video. 627 00:33:26,625 --> 00:33:29,166 It came from the heart, I went to see your aunt... 628 00:33:29,333 --> 00:33:31,125 - [ringing] - Film it, that's all. 629 00:33:31,291 --> 00:33:32,833 You don't take your eyes off her. 630 00:33:39,083 --> 00:33:40,458 - Good evening. - Good evening. 631 00:33:41,583 --> 00:33:43,125 Nathalie isn't there? 632 00:33:43,291 --> 00:33:45,666 No, she's a little unwell. 633 00:33:45,833 --> 00:33:48,750 - I told him we would say hello. - Yes of course. 634 00:33:49,166 --> 00:33:50,500 - Come in. - THANKS. 635 00:33:53,708 --> 00:33:56,708 It's a shame, I would have been happy to meet her. 636 00:33:56,875 --> 00:33:58,041 She too, but... 637 00:33:58,208 --> 00:33:59,916 she is deaf from birth, 638 00:34:00,083 --> 00:34:04,000 so it's difficult for her, people who don't sign. 639 00:34:04,166 --> 00:34:05,458 Well yes, of course. 640 00:34:05,791 --> 00:34:06,666 Here. 641 00:34:06,833 --> 00:34:09,541 - But you shouldn't. - Yes, please. 642 00:34:09,708 --> 00:34:11,625 I'll go get the cuts. 643 00:34:12,208 --> 00:34:13,041 Yann. 644 00:34:13,208 --> 00:34:16,125 - How are you, old man? - Good and you ? 645 00:34:16,291 --> 00:34:19,208 I have bad conjunctivitis, I suffer martyrdom. 646 00:34:20,833 --> 00:34:23,166 - Is it spring break at the theater? - Hmm. 647 00:34:23,333 --> 00:34:26,708 It’s true that we can see really well at home, from here. 648 00:34:26,875 --> 00:34:30,125 You can almost read the title from my bedside book. 649 00:34:30,875 --> 00:34:33,875 - You have good eyes. - Use your binoculars. 650 00:34:35,666 --> 00:34:36,958 Which binoculars? 651 00:34:37,125 --> 00:34:39,791 - You don't have binoculars? - Not that I know of. 652 00:34:39,958 --> 00:34:42,000 So, did you say hello to him? 653 00:34:42,166 --> 00:34:44,041 No, because she's sleeping. 654 00:34:44,583 --> 00:34:47,000 - She's tired. - Ah yes, poor thing. 655 00:34:48,166 --> 00:34:49,625 - I'm going to sit down. - Pardon. 656 00:34:56,541 --> 00:34:57,541 Thank you so much. 657 00:35:04,458 --> 00:35:05,500 Health. 658 00:35:05,666 --> 00:35:06,708 To Nathalie. 659 00:35:07,375 --> 00:35:08,500 That's nice. 660 00:35:15,250 --> 00:35:17,958 It has a little side Rear window , this building. 661 00:35:18,125 --> 00:35:19,791 - Don't you think so? - It's funny, 662 00:35:19,958 --> 00:35:22,666 Colette is a great specialist by Hitchcock. 663 00:35:22,833 --> 00:35:24,375 Really ? That's funny. 664 00:35:24,791 --> 00:35:27,000 - What are you doing? - Professor at the Sorbonne. 665 00:35:27,166 --> 00:35:28,291 Wow. 666 00:35:28,458 --> 00:35:30,250 I teach a cinema degree. 667 00:35:30,416 --> 00:35:33,625 My course is about analysis of the cinematographic image. 668 00:35:33,791 --> 00:35:37,375 And incidentally, specializing in Hitchcock films. 669 00:35:38,750 --> 00:35:39,833 Incidentally... 670 00:35:40,000 --> 00:35:43,375 It's probably the biggest Hitchcock specialist in France. 671 00:35:43,541 --> 00:35:45,916 From the world itself. His book is a reference, 672 00:35:46,083 --> 00:35:47,750 today. - Oh yes ? 673 00:35:47,916 --> 00:35:50,375 - You're exaggerating a little there. - No not at all. 674 00:35:50,541 --> 00:35:51,541 And you ? 675 00:35:51,708 --> 00:35:53,333 Me, I am a novelist. 676 00:35:53,500 --> 00:35:56,333 Historical investigations which take place at the end of the 19th century. 677 00:35:56,500 --> 00:35:57,500 Oh... 678 00:35:57,666 --> 00:36:00,458 "The incredible investigations of the Marquis de la Rose. 679 00:36:00,625 --> 00:36:03,250 I imagine you have heard already talking. 680 00:36:03,416 --> 00:36:04,666 - No. - No ? 681 00:36:04,833 --> 00:36:05,833 No way. 682 00:36:07,083 --> 00:36:08,500 Besides, now, 683 00:36:08,666 --> 00:36:10,833 we can talk police investigations 684 00:36:11,000 --> 00:36:12,333 historical-erotic. 685 00:36:13,041 --> 00:36:15,291 What are you talking about, it's not okay? 686 00:36:15,875 --> 00:36:18,750 No, to popularize, I would say it's... 687 00:36:19,166 --> 00:36:21,625 Vidocq who would meet Agatha Christie. 688 00:36:21,791 --> 00:36:22,625 Anyway ! 689 00:36:22,791 --> 00:36:24,250 In an orgy club. 690 00:36:24,416 --> 00:36:25,875 [François grumbles] 691 00:36:30,125 --> 00:36:33,333 So which one is it, your favorite Hitchcock? 692 00:36:33,500 --> 00:36:36,708 If you had to keep just one, which one would it be? 693 00:36:36,875 --> 00:36:38,166 It would be Vertigo . 694 00:36:38,791 --> 00:36:40,041 - For what ? - For me, 695 00:36:40,208 --> 00:36:42,666 it's his film the most personal and successful 696 00:36:44,166 --> 00:36:45,041 and surely 697 00:36:46,541 --> 00:36:48,000 the most romantic too. 698 00:36:48,166 --> 00:36:51,125 A constructed work on emptiness and appearances. 699 00:36:51,291 --> 00:36:52,833 [mysterious theme] 700 00:36:53,000 --> 00:36:54,666 A husband who kills his wife. 701 00:36:55,166 --> 00:36:57,500 A woman being passed around for another. 702 00:36:58,041 --> 00:37:01,708 It's all make-believe, chimeras and imitations. 703 00:37:02,750 --> 00:37:04,041 It's fascinating, isn't it? 704 00:37:06,375 --> 00:37:07,250 And you ? 705 00:37:09,708 --> 00:37:12,625 I think it would be Death in pursuit . 706 00:37:13,833 --> 00:37:16,375 The antihero archetype Hitchcockian. 707 00:37:16,541 --> 00:37:17,875 A simple man, 708 00:37:18,833 --> 00:37:21,875 who is accused of a crime which he did not commit. 709 00:37:24,708 --> 00:37:26,291 - Me, it's Psychosis . - Yeah. 710 00:37:28,166 --> 00:37:31,333 Yes, François has some problems with his mother. 711 00:37:31,750 --> 00:37:32,625 Finally... 712 00:37:33,250 --> 00:37:35,500 you have never murdered no women. 713 00:37:35,791 --> 00:37:36,875 [Yann laughs] 714 00:37:37,708 --> 00:37:38,625 Fortunately. 715 00:37:39,083 --> 00:37:41,458 - About woman... - [clears his throat] 716 00:37:41,625 --> 00:37:43,750 I have to go find mine. 717 00:37:43,916 --> 00:37:45,208 Yes, but she's sleeping. 718 00:37:45,375 --> 00:37:47,708 I wish I was there when she wakes up. 719 00:37:47,875 --> 00:37:48,750 Yes of course. 720 00:37:48,916 --> 00:37:50,458 Thank you, thank you very much. 721 00:37:52,625 --> 00:37:55,625 But... you shouldn't show me something. 722 00:37:56,083 --> 00:37:57,000 - Me ? - Yes. 723 00:37:57,166 --> 00:37:58,708 - Ah good ? - Yes, yes, yes. 724 00:37:58,875 --> 00:38:01,083 - What could it be? - Well the... 725 00:38:01,250 --> 00:38:02,541 But yes, I know! 726 00:38:02,708 --> 00:38:05,541 - I wanted to offer you my book. - Ah yes, the book. 727 00:38:05,708 --> 00:38:06,541 Ah, hey, 728 00:38:07,000 --> 00:38:07,875 binoculars. 729 00:38:08,708 --> 00:38:09,625 Oh yes, well. 730 00:38:09,791 --> 00:38:11,250 Ah yes, twins. 731 00:38:15,500 --> 00:38:17,333 Here, my regards to your wife. 732 00:38:17,500 --> 00:38:19,250 - Thank you so much. - My pleasure. 733 00:38:19,416 --> 00:38:21,208 - Have a good evening. - You too. 734 00:38:21,375 --> 00:38:24,083 Goodbye, Yann. We were delighted to have you. 735 00:38:24,250 --> 00:38:25,708 - Good evening. - Bye. 736 00:38:25,875 --> 00:38:28,875 - He knows, that's for sure. - Yes, he knows that we suspect him! 737 00:38:29,041 --> 00:38:32,416 Everything is in the box, medium, wide, tight shots. 738 00:38:32,583 --> 00:38:35,750 But we don't care about him, It’s her who interests us! 739 00:38:35,916 --> 00:38:36,833 Oh well yes. 740 00:38:37,625 --> 00:38:41,083 - [Colette sighs] - What do we do anyway? 741 00:38:41,833 --> 00:38:42,875 [doorbell] 742 00:38:43,708 --> 00:38:46,625 I completely forgot to dedicate my book to you. 743 00:38:46,791 --> 00:38:47,958 How rude. 744 00:38:48,125 --> 00:38:49,791 It's true, it brings bad luck. 745 00:38:50,291 --> 00:38:52,708 Excuse me, but I'm a little busy. 746 00:38:52,875 --> 00:38:54,958 Ah, your wife is doing better, it seems. 747 00:38:55,125 --> 00:38:56,875 - Yeah. - [embarrassed laugh] 748 00:38:57,041 --> 00:38:58,541 - And a pen? - A pen? 749 00:38:58,708 --> 00:38:59,916 For the dedication. 750 00:39:01,791 --> 00:39:02,750 Pen... 751 00:39:03,416 --> 00:39:04,458 Okay, come in. 752 00:39:20,458 --> 00:39:22,291 - So. - Thank you so much. 753 00:39:22,458 --> 00:39:23,666 "To Nathalie and Yann, 754 00:39:23,833 --> 00:39:25,875 "our neighbors Rear window ." 755 00:39:31,291 --> 00:39:33,250 No, she says thank you like that. 756 00:39:34,166 --> 00:39:35,833 She can't hear at all? 757 00:39:36,000 --> 00:39:36,875 No. 758 00:39:37,041 --> 00:39:38,666 But she reads lips. 759 00:39:38,833 --> 00:39:41,083 - So be careful what you say. - [laughing] 760 00:39:41,250 --> 00:39:44,291 I am delighted to finally do your knowledge. 761 00:39:47,708 --> 00:39:50,041 It can't be easy in the theater. 762 00:39:50,208 --> 00:39:51,041 What then? 763 00:39:51,208 --> 00:39:54,000 Communication with the employees, all that... 764 00:39:54,166 --> 00:39:55,000 Oh yes, 765 00:39:55,166 --> 00:39:57,875 she only employs deaf people or people talking 766 00:39:58,041 --> 00:39:59,375 sign language. 767 00:39:59,541 --> 00:40:01,750 And it's not discriminatory, that? 768 00:40:08,791 --> 00:40:11,500 My wife asks you to stop staring at her. 769 00:40:11,666 --> 00:40:13,458 It's true, it's very embarrassing. 770 00:40:15,541 --> 00:40:16,708 [snaps his fingers] 771 00:40:16,875 --> 00:40:17,875 Sorry. 772 00:40:18,041 --> 00:40:20,250 Oh sorry, excuse me. Sorry. 773 00:40:20,416 --> 00:40:21,916 [muffled little laughs] 774 00:40:24,875 --> 00:40:26,583 [dark and disturbing theme] 775 00:40:35,291 --> 00:40:36,500 Is there a problem? 776 00:40:38,500 --> 00:40:39,375 No. 777 00:40:39,541 --> 00:40:40,791 [Yann stifles a laugh] 778 00:40:46,291 --> 00:40:48,833 [Francis] What do you think? 779 00:40:49,000 --> 00:40:51,250 - It's not bad, right? - It's perfect. 780 00:40:51,416 --> 00:40:52,375 It's true ? 781 00:40:53,208 --> 00:40:55,625 I tried to make frames which are... 782 00:40:56,291 --> 00:40:57,750 She doesn't have a wedding ring. 783 00:41:01,166 --> 00:41:04,416 Colette, what are you looking for? Where are you going with this? 784 00:41:04,583 --> 00:41:07,416 Take it well, but do you like this guy? 785 00:41:07,583 --> 00:41:08,416 What ? 786 00:41:09,041 --> 00:41:11,250 What are you talking about, stop! 787 00:41:13,916 --> 00:41:14,791 Okay. 788 00:41:16,083 --> 00:41:17,333 [François sighs] 789 00:41:20,833 --> 00:41:22,791 Thanks for the orgy box, 790 00:41:22,958 --> 00:41:23,958 all that... 791 00:41:24,125 --> 00:41:26,708 it made me happy, it was very rewarding. 792 00:41:26,875 --> 00:41:28,125 Me who spends my life 793 00:41:28,291 --> 00:41:30,791 to praise you, put you on a pedestal... 794 00:41:34,625 --> 00:41:35,708 [Colette blows] 795 00:41:43,875 --> 00:41:46,541 Your deaf cousin there, Jean-David... 796 00:41:46,708 --> 00:41:48,375 Jean-Daniel, I don't know anymore... 797 00:41:48,541 --> 00:41:49,958 Jean-Denis, Jean-De. 798 00:41:52,166 --> 00:41:54,375 What do you want from him to my cousin? 799 00:42:06,083 --> 00:42:07,541 [he holds back laughter] 800 00:42:07,916 --> 00:42:09,708 Yes, actually, we agree, 801 00:42:09,875 --> 00:42:13,291 she speaks sign language very approximate. 802 00:42:14,041 --> 00:42:17,166 It remains understandable, but it is very poorly signed... 803 00:42:22,833 --> 00:42:24,375 Why is he excited? 804 00:42:25,541 --> 00:42:28,250 - What does he say? - No, no, nothing. 805 00:42:31,708 --> 00:42:34,333 I actually didn't want to talk about it, but... 806 00:42:34,500 --> 00:42:38,708 The woman in the video, François, She called you stupid. 807 00:42:39,375 --> 00:42:40,875 [small smirks] 808 00:42:43,083 --> 00:42:45,000 - Does that make you laugh? - No. 809 00:42:51,375 --> 00:42:52,916 - What does he say? - Nothing. 810 00:42:53,083 --> 00:42:56,708 He is happy not to be the only cassos in the family. 811 00:42:59,958 --> 00:43:02,250 Is it possible that this woman 812 00:43:02,416 --> 00:43:03,875 or deaf from birth? 813 00:43:04,041 --> 00:43:07,708 Deaf from birth, she? No, it's highly unlikely. 814 00:43:07,875 --> 00:43:10,208 Unless she learned to be signed recently... 815 00:43:10,375 --> 00:43:13,750 - Can you explain to me what that means? - Yes, I'll explain. 816 00:43:13,916 --> 00:43:15,750 [thriller theme] 817 00:43:18,291 --> 00:43:20,500 Yann threw that in the trash. 818 00:43:21,375 --> 00:43:24,791 - Are you taking out the trash now? - He bought a wig! 819 00:43:25,500 --> 00:43:26,416 Yes and so? 820 00:43:26,583 --> 00:43:28,458 Well that confirms my theory. 821 00:43:28,625 --> 00:43:30,083 But hey, you're not listening to me. 822 00:43:30,250 --> 00:43:31,750 Then you're going to interrupt me. 823 00:43:31,916 --> 00:43:33,666 I'm listening to you, I'm all ears. 824 00:43:33,833 --> 00:43:35,375 Our dear neighbor, Yann, 825 00:43:35,541 --> 00:43:38,916 actually killed his wife... - No, I'll stop you now. 826 00:43:39,708 --> 00:43:41,208 We saw her, his wife. 827 00:43:41,375 --> 00:43:43,916 - We'll stop. - Listen to me, he killed his wife. 828 00:43:44,083 --> 00:43:46,458 He killed her. And to ward off suspicion, 829 00:43:46,625 --> 00:43:49,083 he brings another woman for Nathalie, 830 00:43:49,250 --> 00:43:51,791 who speaks sign language approximate 831 00:43:51,958 --> 00:43:55,125 and who wears a blonde wig, purchased in this store. 832 00:43:55,875 --> 00:43:58,000 - Let's say you're right. - Always. 833 00:43:59,041 --> 00:44:00,416 Okay, you're right. 834 00:44:00,583 --> 00:44:01,875 What is his motive? 835 00:44:02,041 --> 00:44:03,458 But I have no idea. 836 00:44:03,625 --> 00:44:05,708 And to find the mobile well... 837 00:44:05,875 --> 00:44:07,541 we would have to find the MacGuffin. 838 00:44:07,708 --> 00:44:09,208 The MacGuffin again? 839 00:44:09,375 --> 00:44:12,375 It's good for your students, but I can't take it anymore. 840 00:44:12,541 --> 00:44:14,916 You still don't understand what was it? 841 00:44:15,083 --> 00:44:16,291 Yes, I understood. 842 00:44:18,500 --> 00:44:19,958 - Not everything. - All right. 843 00:44:20,541 --> 00:44:23,916 I can tell you how Hitchcock did he himself explain it? 844 00:44:24,083 --> 00:44:26,458 You have two travelers who are on a train, 845 00:44:26,625 --> 00:44:28,291 which runs from London to Edinburgh. 846 00:44:29,291 --> 00:44:31,333 - Until then, are you following me? - Hmm. 847 00:44:31,500 --> 00:44:34,916 Noticing the strange package that his neighbor carries, 848 00:44:35,083 --> 00:44:37,083 the first traveler asks him: 849 00:44:37,250 --> 00:44:40,750 [in English] Excuse me, what does this strange baggage next to you? 850 00:44:40,916 --> 00:44:42,125 The man replies: 851 00:44:42,291 --> 00:44:44,541 Oh, this? It's a MacGuffin. 852 00:44:44,708 --> 00:44:46,416 What is a MacGuffin? 853 00:44:46,583 --> 00:44:50,166 A device to capture the mountain lions of Scotland. 854 00:44:50,333 --> 00:44:52,875 But there are no lions in Scotland. 855 00:44:53,333 --> 00:44:55,875 In this case, it's not a MacGuffin. 856 00:44:58,500 --> 00:45:01,208 - There, I'm supposed to have understood. - Hmm. 857 00:45:01,541 --> 00:45:04,625 In fact, the MacGuffin is nothing, it doesn't exist. 858 00:45:04,791 --> 00:45:06,625 But its importance is crucial. 859 00:45:07,166 --> 00:45:10,666 It's like an object, of matter, it is immaterial, 860 00:45:10,833 --> 00:45:13,416 it's an excuse to the development of the story. 861 00:45:13,583 --> 00:45:17,791 - What would that be in our story? - That's what we're looking for. 862 00:45:18,458 --> 00:45:20,916 I could have two coffees, please? 863 00:45:21,291 --> 00:45:22,666 You see the MacGuffin, 864 00:45:22,833 --> 00:45:26,083 You and I have to find it, together, do you understand that? 865 00:45:26,250 --> 00:45:29,083 We need to get the truth out in broad daylight. 866 00:45:31,416 --> 00:45:33,250 I don't take of fortune cookie . 867 00:45:33,416 --> 00:45:35,291 Last time it made me depressed. 868 00:45:35,625 --> 00:45:36,625 THANKS. 869 00:45:37,750 --> 00:45:38,958 What is it? 870 00:45:39,125 --> 00:45:41,875 It is not recommended not to open a fortune cookie . 871 00:45:42,583 --> 00:45:45,041 - But by whom? - It's just not recommended. 872 00:45:45,208 --> 00:45:48,291 What are all these rules? around the fortune cookie ? 873 00:45:48,458 --> 00:45:51,041 - Is there a sect, an organization? - [Colette laughs] 874 00:45:54,250 --> 00:45:55,375 No, it's nothing. 875 00:45:56,750 --> 00:45:57,875 Do you remember... 876 00:45:58,041 --> 00:46:01,291 "The truth is on the move and no one will stop him”? 877 00:46:02,583 --> 00:46:04,125 Well, what was that about? 878 00:46:05,166 --> 00:46:06,833 It was about our investigation. 879 00:46:08,541 --> 00:46:10,916 - From our investigation? - Yes, our investigation. 880 00:46:11,083 --> 00:46:13,166 You and me, we're a team. 881 00:46:14,041 --> 00:46:15,875 Well yeah, we're a team. 882 00:46:17,083 --> 00:46:17,916 Go ahead. 883 00:46:27,333 --> 00:46:31,375 "The path to truth often involves a sacrifice." 884 00:46:33,250 --> 00:46:35,416 It's crazy, it always speaks of truth. 885 00:46:35,583 --> 00:46:37,791 Do you understand something? 886 00:46:38,708 --> 00:46:39,958 Still not, no. 887 00:46:41,375 --> 00:46:42,708 And what is it for you? 888 00:46:43,833 --> 00:46:45,041 So for me it's... 889 00:46:45,208 --> 00:46:46,541 Oh Colette, oh my... 890 00:46:47,333 --> 00:46:48,625 [he overplays the shock] 891 00:46:48,791 --> 00:46:49,666 Stop. 892 00:46:50,666 --> 00:46:54,000 "Who sets a trap for others could well be caught there." 893 00:46:56,416 --> 00:46:57,333 SO ? 894 00:46:57,958 --> 00:47:01,333 Hitchcock's heroes don't call the cops, why? 895 00:47:01,500 --> 00:47:03,166 Because it's cinema 896 00:47:03,333 --> 00:47:05,708 and if they call them, the film is over. 897 00:47:05,875 --> 00:47:07,958 But this is real life, Colette. 898 00:47:08,125 --> 00:47:10,666 But with Hitchcock, the cops are blind. 899 00:47:10,833 --> 00:47:12,458 They never believe heroes. 900 00:47:12,625 --> 00:47:16,333 Because they believe that the criminal still looks like a criminal. 901 00:47:16,500 --> 00:47:19,166 While the criminal, precisely, 902 00:47:19,458 --> 00:47:22,208 doesn't look like a criminal, do you understand? 903 00:47:22,791 --> 00:47:24,416 Obviously I understand. 904 00:47:24,583 --> 00:47:26,583 So we're not going to call the cops. 905 00:47:26,750 --> 00:47:29,208 We're going to fend for ourselves, like adults. 906 00:47:29,625 --> 00:47:30,500 Think. 907 00:47:31,125 --> 00:47:31,958 Francis. 908 00:47:32,333 --> 00:47:35,708 What would Marchenville have done? the Marquis de la Rose? 909 00:47:35,875 --> 00:47:37,791 No, but that’s a novel too. 910 00:47:37,958 --> 00:47:39,125 It's not real. 911 00:47:40,500 --> 00:47:42,416 What's his wife's name again? 912 00:47:42,583 --> 00:47:43,583 Well there you go! 913 00:47:44,541 --> 00:47:46,583 Nathalie Kerbec. 914 00:47:46,750 --> 00:47:48,875 [removed and mysterious theme] 915 00:47:49,041 --> 00:47:51,541 [François] That’s her. It looks like him anyway. 916 00:47:51,875 --> 00:47:53,000 With his parents. 917 00:47:53,833 --> 00:47:55,833 Look, type in their name, it's here. 918 00:47:56,000 --> 00:47:57,583 Jacques and Micheline Rainier. 919 00:48:00,166 --> 00:48:03,208 - They are dead. - Nathalie inherited their theater. 920 00:48:03,375 --> 00:48:05,458 But since the play doesn't work, 921 00:48:05,958 --> 00:48:07,166 they argue, 922 00:48:07,333 --> 00:48:09,958 in a fit of anger, he kills her. - Oh, no... 923 00:48:10,458 --> 00:48:13,750 That's not a good enough reason. it's not a reason. 924 00:48:14,291 --> 00:48:16,500 We don't know why they were arguing with each other. 925 00:48:16,666 --> 00:48:18,208 And why then? 926 00:48:19,083 --> 00:48:20,583 Well, I don't know. 927 00:48:21,166 --> 00:48:23,500 Another woman, an adulterous relationship... 928 00:48:23,666 --> 00:48:26,041 When we went to see them, after the play, 929 00:48:26,208 --> 00:48:29,125 already behind the scenes, they were arguing. 930 00:48:29,291 --> 00:48:31,291 [Colette] And remember, during the intermission, 931 00:48:31,458 --> 00:48:33,750 Nathalie took her head with the barmaid. 932 00:48:34,250 --> 00:48:35,375 [together] The barmaid! 933 00:48:36,375 --> 00:48:37,250 Same profile. 934 00:48:37,833 --> 00:48:38,875 Same silhouette. 935 00:48:39,041 --> 00:48:40,583 Same type, but brown. 936 00:48:40,750 --> 00:48:42,333 [the theme gains intensity] 937 00:48:42,500 --> 00:48:43,833 That explains the wig. 938 00:48:44,916 --> 00:48:46,541 And that evening, Nathalie 939 00:48:47,083 --> 00:48:49,250 learn that she is Yann's mistress. 940 00:48:49,416 --> 00:48:51,833 She decides to leave him, it drives him crazy. 941 00:48:52,000 --> 00:48:53,583 - He eliminates it. - But you saw it, 942 00:48:53,750 --> 00:48:56,333 so he sets up his ploy. 943 00:48:56,500 --> 00:48:59,750 And he brings his mistress through, the barmaid, for his wife. 944 00:48:59,916 --> 00:49:01,833 And you remember, he told us, 945 00:49:02,000 --> 00:49:05,291 Nathalie does not engage only people who know how to sign. 946 00:49:05,458 --> 00:49:06,291 It holds up! 947 00:49:06,458 --> 00:49:08,541 But wait, if Nathalie is alive, 948 00:49:08,708 --> 00:49:11,416 she still takes care of the theater. - Yeah, so what? 949 00:49:11,583 --> 00:49:14,166 - And then, we're going to go check. - Oh, no! 950 00:49:14,750 --> 00:49:15,583 No ! 951 00:49:16,208 --> 00:49:18,916 I would like us to talk about it, let's discuss... 952 00:49:19,083 --> 00:49:21,833 but I am a novelist, not a field man. 953 00:49:22,000 --> 00:49:22,916 - Hmm. - No. 954 00:49:23,500 --> 00:49:25,916 But that's what it would do Marchenville, right? 955 00:49:26,083 --> 00:49:28,541 - Yes, that's what he would do. - Well yes. 956 00:49:29,541 --> 00:49:30,666 - Good evening. - Good evening. 957 00:49:30,833 --> 00:49:33,875 We would like to see the director, we are friends. 958 00:49:34,208 --> 00:49:36,291 - Colette Courreau. - François Tarnowski. 959 00:49:36,458 --> 00:49:37,500 I'll see. 960 00:49:41,458 --> 00:49:44,458 These people are not aware of what they will experience. 961 00:49:44,625 --> 00:49:47,916 A 3h45 waking nightmare, approximately. 962 00:49:48,916 --> 00:49:50,833 And they pay, they pay for that. 963 00:49:51,000 --> 00:49:53,708 Me, you give me money, I'm not going back there. 964 00:49:53,875 --> 00:49:56,541 I don't know why I was sure it was you. 965 00:49:56,708 --> 00:50:00,250 - You come to watch the show again. - Absolutely not, we were just passing by. 966 00:50:00,416 --> 00:50:03,500 - Yes, we'll come and see again, of course. - It touches me a lot. 967 00:50:03,666 --> 00:50:05,500 You will see, on second reading, 968 00:50:05,666 --> 00:50:07,375 we appreciate it even more. 969 00:50:07,541 --> 00:50:08,291 Really. 970 00:50:08,458 --> 00:50:10,333 We would like to say hello to Nathalie. 971 00:50:11,083 --> 00:50:14,583 She is in her office, she's overwhelmed, the paperwork... 972 00:50:14,750 --> 00:50:18,500 Estelle, you give them two places in the golden square and half price. 973 00:50:18,666 --> 00:50:21,208 - No, it's really not... - Oh yes, I insist. 974 00:50:21,375 --> 00:50:23,291 Well, I have a ghost waiting for me. 975 00:50:23,458 --> 00:50:25,000 See you later. 976 00:50:27,500 --> 00:50:28,791 It will be 120 euros. 977 00:50:28,958 --> 00:50:30,041 (No...no...) 978 00:50:30,291 --> 00:50:32,708 - Sir. - Yes, yes, I heard... 979 00:50:32,875 --> 00:50:36,041 Enjoy your beautiful hours, Laertes, enjoy your time. 980 00:50:36,208 --> 00:50:38,833 Use it as you wish of your most charming virtues. 981 00:50:39,000 --> 00:50:41,416 I can't believe that I'm still here. 982 00:50:41,583 --> 00:50:44,333 - [actor] But you, Hamlet... - [François] I have to make up my mind. 983 00:50:44,500 --> 00:50:46,041 [actor] My nephew, my son... 984 00:50:46,208 --> 00:50:48,750 I am the Sisyphus of the theater. 985 00:50:51,083 --> 00:50:52,166 My divine punishment, 986 00:50:52,333 --> 00:50:55,375 is to attend eternally to this 3:45 piece. 987 00:50:57,208 --> 00:50:59,958 "The path to truth comes through a sacrifice." 988 00:51:00,125 --> 00:51:02,375 Don't look for your father in the dust. 989 00:51:02,541 --> 00:51:05,625 You know, it's common law. What lives must die. 990 00:51:07,500 --> 00:51:10,500 She's not there, I was sure of it, he had to warn her. 991 00:51:12,708 --> 00:51:13,791 - Good evening. - Good evening. 992 00:51:13,958 --> 00:51:16,291 Two glasses of white wine, Please. 993 00:51:16,458 --> 00:51:19,375 Are you at the bar and at the counter? What versatility! 994 00:51:19,541 --> 00:51:22,208 It's exceptional, I'm replacing Emma, the barmaid. 995 00:51:22,375 --> 00:51:25,666 - She was unwell, she came home. - Is she sick? 996 00:51:25,833 --> 00:51:27,750 Do we have a chance to see Nathalie? 997 00:51:27,916 --> 00:51:31,625 I doubt it, it's been days that she is locked in her office. 998 00:51:31,791 --> 00:51:33,291 Ah well yes, the paperwork. 999 00:51:34,625 --> 00:51:36,166 - Thank you so much. - THANKS. 1000 00:51:38,750 --> 00:51:40,791 Nathalie locked in her office... 1001 00:51:40,958 --> 00:51:43,333 And the other who is supposedly sick. 1002 00:51:44,291 --> 00:51:45,583 What do we do? 1003 00:51:47,958 --> 00:51:51,250 You saw the Lubitch film, To be or not to be ? 1004 00:51:54,791 --> 00:51:55,625 Be 1005 00:51:58,000 --> 00:51:58,833 ( Go !) 1006 00:51:59,958 --> 00:52:00,916 Or don't... 1007 00:52:01,166 --> 00:52:02,625 not be... 1008 00:52:03,291 --> 00:52:04,375 Be careful. 1009 00:52:07,791 --> 00:52:10,208 - That's the question. - [anxiety-provoking theme] 1010 00:52:10,375 --> 00:52:13,833 Is it nobler for a soul to suffer the arrows 1011 00:52:14,000 --> 00:52:17,291 and the blows of an unworthy fortune or take up arms 1012 00:52:17,458 --> 00:52:21,208 against a sea of troubles, to stand up to them, to put an end to it? 1013 00:52:21,375 --> 00:52:24,416 Die, sleep, nothing more, end with sleep. 1014 00:52:24,583 --> 00:52:25,833 Pain of the heart 1015 00:52:26,000 --> 00:52:28,250 and injuries which are the lot of the flesh, 1016 00:52:28,416 --> 00:52:30,000 this is the outcome we would like 1017 00:52:30,166 --> 00:52:31,458 and with what ardor! 1018 00:52:31,625 --> 00:52:32,666 To die, to sleep, 1019 00:52:32,833 --> 00:52:33,833 dream, perhaps. 1020 00:52:34,000 --> 00:52:35,208 Ah, that’s the obstacle! 1021 00:52:35,958 --> 00:52:39,333 Because the anxiety of dreams that will come in this deathly sleep, 1022 00:52:39,500 --> 00:52:41,208 when we have reduced to nothing 1023 00:52:41,375 --> 00:52:42,416 the tumult of living, 1024 00:52:42,583 --> 00:52:44,500 This is what holds us back, this is... 1025 00:52:44,666 --> 00:52:46,375 it's unhappiness, it's thought 1026 00:52:47,166 --> 00:52:48,583 which causes misfortune 1027 00:52:48,750 --> 00:52:49,791 has such a long life. 1028 00:52:50,208 --> 00:52:52,333 Come on, calm down, here is the beautiful Ophélie. 1029 00:52:52,500 --> 00:52:54,458 [Yann declaims faster and faster] 1030 00:52:54,625 --> 00:52:57,541 - How is your grace? - Thank you, good, good, good. 1031 00:52:57,708 --> 00:53:01,083 - My lord, I have memories. - I didn't give you anything. 1032 00:53:01,250 --> 00:53:03,958 - But if... I have you... - Are you virtuous? 1033 00:53:04,125 --> 00:53:05,916 - My lord? - Are you beautiful? 1034 00:53:06,083 --> 00:53:09,000 - What does it mean... - If you are virtuous and beautiful, 1035 00:53:09,166 --> 00:53:12,166 your virtue should hold better your beauty away. 1036 00:53:12,333 --> 00:53:15,458 - I was even more deceived. - Go to a convent! 1037 00:53:15,625 --> 00:53:18,208 [his flow is getting faster and faster] 1038 00:53:18,375 --> 00:53:22,125 I am very proud, I am vindictive, I am ambitious. 1039 00:53:22,291 --> 00:53:25,500 And more of my facts would answer with my slightest gesture 1040 00:53:25,666 --> 00:53:27,833 that I have no imagination and time 1041 00:53:28,000 --> 00:53:29,375 to design them. 1042 00:53:29,541 --> 00:53:31,000 Beings of my kind 1043 00:53:31,166 --> 00:53:32,458 crawl between earth and sky. 1044 00:53:32,625 --> 00:53:35,708 We are real rascals. Go to a convent. 1045 00:53:35,875 --> 00:53:37,791 - Where is your father? - At home. 1046 00:53:37,958 --> 00:53:39,291 Buckle it twice 1047 00:53:39,458 --> 00:53:41,708 that he does not go nonsense elsewhere. 1048 00:53:41,875 --> 00:53:42,833 Oh, power... 1049 00:53:43,000 --> 00:53:44,875 I give you this plague as a dowry. 1050 00:53:45,041 --> 00:53:47,208 What would you be as chaste as ice, 1051 00:53:47,375 --> 00:53:49,208 you will not escape slander! 1052 00:53:49,375 --> 00:53:50,833 Go to a convent! 1053 00:53:51,000 --> 00:53:52,833 [the intensity increases to a crescendo] 1054 00:53:53,000 --> 00:53:55,666 [Yann continues to declaim] at full speed] 1055 00:53:55,833 --> 00:53:58,375 Enough of all this which drove me crazy! 1056 00:53:58,541 --> 00:54:01,083 Let there be no marriage, that's what I'm saying! 1057 00:54:01,250 --> 00:54:04,500 Those who are already married will all live except one! 1058 00:54:07,375 --> 00:54:08,833 [sigh of satisfaction] 1059 00:54:09,000 --> 00:54:12,291 [thriller theme in the style by Bernard Herrmann] 1060 00:54:18,125 --> 00:54:21,583 And let the others stick to what they are! To the convent! 1061 00:54:22,666 --> 00:54:24,000 - Ouch! - [metallic shock] 1062 00:54:33,833 --> 00:54:34,666 Alas... 1063 00:54:36,291 --> 00:54:38,500 what a noble soul here is destroyed. 1064 00:54:39,416 --> 00:54:40,958 The manners of a prince... 1065 00:55:29,750 --> 00:55:31,208 [metallic clicking] 1066 00:55:38,916 --> 00:55:39,750 [startle] 1067 00:55:39,916 --> 00:55:41,541 [the theme gets louder] 1068 00:55:45,083 --> 00:55:46,041 Yann! 1069 00:55:46,541 --> 00:55:48,333 - Are you there? - [the tension drops] 1070 00:55:48,500 --> 00:55:50,125 - [he pants] - I wanted to tell you, 1071 00:55:50,291 --> 00:55:53,625 you were right, the second time, it's an enchantment. 1072 00:55:53,791 --> 00:55:56,375 I saw things that I hadn't seen before. 1073 00:55:56,541 --> 00:55:59,666 The acting, the text, the staging... 1074 00:55:59,833 --> 00:56:02,208 What exactly do you want? 1075 00:56:03,458 --> 00:56:04,458 The toilets. 1076 00:56:05,250 --> 00:56:06,375 On the ground floor. 1077 00:56:07,833 --> 00:56:09,166 - [breath] - Thank you. 1078 00:56:11,458 --> 00:56:12,500 [clicking] 1079 00:56:37,750 --> 00:56:38,750 [sigh] 1080 00:56:39,500 --> 00:56:42,125 [Colette tries to catch your breath] 1081 00:56:44,916 --> 00:56:47,000 [whispers and laughter in the room] 1082 00:56:47,708 --> 00:56:50,375 (What is he doing, what the hell is he doing?) 1083 00:56:51,458 --> 00:56:52,583 [a door slams] 1084 00:56:52,750 --> 00:56:56,125 Say the text the way which I read to you, didn't you, 1085 00:56:56,291 --> 00:56:58,541 in a loose voice and with ease. 1086 00:56:59,083 --> 00:57:01,291 Because if you declaim it otherwise, 1087 00:57:01,458 --> 00:57:03,458 I should entrust it to the town crier. 1088 00:57:04,416 --> 00:57:06,625 Don't go splitting the air with your hand, 1089 00:57:07,166 --> 00:57:08,750 but be measured in... 1090 00:57:09,458 --> 00:57:10,791 because in the torrent, 1091 00:57:10,958 --> 00:57:13,875 in the storm, in... the hurricane... of passion, 1092 00:57:14,500 --> 00:57:18,208 you must find and make feel a kind of restraint... 1093 00:57:18,375 --> 00:57:19,916 (You saved my life.) 1094 00:57:20,083 --> 00:57:22,708 Oh, this hurts me, down to the soul. 1095 00:57:23,125 --> 00:57:24,916 (Did you find anything?) 1096 00:57:25,083 --> 00:57:26,583 (Nathalie’s diary.) 1097 00:57:26,750 --> 00:57:29,500 (It stops the evening when we came to see the play.) 1098 00:57:30,666 --> 00:57:33,916 (And wait, in his office, I found lots of leaves, 1099 00:57:34,083 --> 00:57:37,250 blackened by someone who tries to imitate his signature.) 1100 00:57:38,750 --> 00:57:39,791 (Well done.) 1101 00:57:40,708 --> 00:57:42,375 - (That's not all.) - (What?) 1102 00:57:42,958 --> 00:57:44,708 [dark and mysterious theme] 1103 00:57:45,208 --> 00:57:46,833 [actor] Please avoid this. 1104 00:57:47,000 --> 00:57:49,291 We make a promise to your honor. 1105 00:58:00,208 --> 00:58:01,166 (You are strong.) 1106 00:58:19,791 --> 00:58:21,416 [martial theme] 1107 00:58:36,541 --> 00:58:39,000 [light theme with Asian influences] 1108 00:58:48,208 --> 00:58:50,541 Guillaume, finally I found you. 1109 00:58:50,708 --> 00:58:52,250 I've been looking for you everywhere. 1110 00:58:53,125 --> 00:58:54,958 How did you get there? 1111 00:58:55,500 --> 00:58:56,375 Rebecca! 1112 00:58:56,541 --> 00:58:58,958 - What are you doing here? - I'll get you out of there. 1113 00:58:59,125 --> 00:58:59,958 Wait ! 1114 00:59:01,041 --> 00:59:02,708 I don't need help. 1115 00:59:02,875 --> 00:59:05,125 I'm on an undercover mission. 1116 00:59:05,291 --> 00:59:07,125 (Undercover mission?) 1117 00:59:07,291 --> 00:59:08,333 Are you kidding? 1118 00:59:08,500 --> 00:59:11,708 - (Why didn't I know?) - (Defense secret!) 1119 00:59:11,875 --> 00:59:15,041 (I'm on the verge of dismantling opium trafficking, 1120 00:59:15,208 --> 00:59:18,083 the largest in Europe, of the world, of the universe!) 1121 00:59:18,250 --> 00:59:19,625 (You smoked too much.) 1122 00:59:19,791 --> 00:59:22,625 (A little bit, but how good is it.) 1123 00:59:22,791 --> 00:59:24,416 [moans of pleasure] 1124 00:59:24,583 --> 00:59:26,458 - (But stop!) - [sigh of ease] 1125 00:59:26,875 --> 00:59:28,458 Okay, what do we do? 1126 00:59:30,250 --> 00:59:31,166 William? 1127 00:59:31,625 --> 00:59:33,666 - William! - Yes, yes, yes... 1128 00:59:34,625 --> 00:59:36,166 What do we do? 1129 00:59:36,333 --> 00:59:38,125 [François types on his keyboard] 1130 00:59:38,291 --> 00:59:41,166 “What do we do now?” 1131 00:59:43,125 --> 00:59:44,166 [long sigh] 1132 00:59:44,333 --> 00:59:46,583 What do we do now? 1133 00:59:49,875 --> 00:59:50,708 So... 1134 00:59:51,208 --> 00:59:52,416 [Francis] The flame... 1135 00:59:52,583 --> 00:59:54,833 opium den...lying... 1136 00:59:56,458 --> 00:59:57,291 A duel? 1137 00:59:57,458 --> 00:59:59,541 - Duel... - But what are you doing? 1138 00:59:59,708 --> 01:00:02,291 - Come on, come on, quickly, let's go. - Yeah. 1139 01:00:08,291 --> 01:00:10,208 There they are, there they are, there they are. 1140 01:00:22,500 --> 01:00:25,833 - We're taking my bike. - We won't be able to follow them by bike. 1141 01:00:26,000 --> 01:00:29,041 In Paris, bikes roll faster than cars. 1142 01:00:30,000 --> 01:00:31,833 - By the side alley. - Yeah. 1143 01:00:32,000 --> 01:00:35,791 - [lively and colorful symphonic theme] - [cry of exaltation] 1144 01:00:35,958 --> 01:00:37,083 They are there! 1145 01:00:41,000 --> 01:00:41,958 There, there, there! 1146 01:00:43,500 --> 01:00:44,625 I saw it in person. 1147 01:00:48,583 --> 01:00:50,458 The Mozart of cycling, extraordinary. 1148 01:00:50,625 --> 01:00:51,458 Well yes. 1149 01:00:51,625 --> 01:00:54,333 You will be able to turn, right there, look. 1150 01:00:57,666 --> 01:00:58,625 [honking] 1151 01:00:58,791 --> 01:01:00,458 Look, he's right there. 1152 01:01:01,000 --> 01:01:04,000 Wait, you still have to stay a little covered. 1153 01:01:28,916 --> 01:01:29,875 Hello Mrs. 1154 01:01:30,041 --> 01:01:31,875 Do you have a table for two? 1155 01:01:32,041 --> 01:01:34,583 - Have you made a reservation? - Oh no, absolutely not. 1156 01:01:34,750 --> 01:01:35,541 Oh... 1157 01:01:35,708 --> 01:01:37,416 A table has just become available. 1158 01:01:37,583 --> 01:01:39,958 I'll make you wait at the bar, a moment. 1159 01:01:40,125 --> 01:01:41,708 - THANKS. - Thank you so much. 1160 01:01:50,083 --> 01:01:51,250 Oh, oh, oh... 1161 01:01:56,250 --> 01:01:58,791 It's not okay, she places us next to them. 1162 01:02:01,208 --> 01:02:03,791 - Who's the bearded guy? - I have no idea. 1163 01:02:07,958 --> 01:02:09,250 What do we do? 1164 01:02:09,416 --> 01:02:11,625 Hitchcock reportedly asked Herrmann 1165 01:02:11,791 --> 01:02:13,666 to compose stressful music 1166 01:02:13,833 --> 01:02:16,708 to heighten the suspense and the tension of the scene. 1167 01:02:16,875 --> 01:02:20,166 - Music to be murdered. - We don't care about Hitchcock. 1168 01:02:20,333 --> 01:02:22,416 Stop with Hitchcock. What do we do? 1169 01:02:22,583 --> 01:02:25,208 I don't know. I analyze films. 1170 01:02:25,375 --> 01:02:27,833 I explain them. You're the writer. 1171 01:02:28,000 --> 01:02:29,083 Come up with an idea. 1172 01:02:29,541 --> 01:02:30,625 [scary theme] 1173 01:02:36,625 --> 01:02:38,208 [hostess] Are you following me? 1174 01:02:47,208 --> 01:02:48,750 (Excuse me, ma'am.) 1175 01:02:48,916 --> 01:02:50,583 (Madam, please.) 1176 01:02:51,833 --> 01:02:54,208 (Could we go at this table?) 1177 01:02:54,375 --> 01:02:57,750 (20 years ago I asked my wife in marriage, right here.) 1178 01:02:58,791 --> 01:02:59,958 (Do you understand?) 1179 01:03:00,291 --> 01:03:02,833 It's not going to be possible, I'm sorry. 1180 01:03:03,000 --> 01:03:05,041 If you would like to follow me. 1181 01:03:05,750 --> 01:03:07,916 (No, ma'am, please.) 1182 01:03:12,500 --> 01:03:13,750 (I have cancer...) 1183 01:03:16,791 --> 01:03:19,250 I'm sorry, of course, follow me. 1184 01:03:19,416 --> 01:03:22,041 We will ask them if it doesn't bother them. 1185 01:03:22,791 --> 01:03:24,416 (You're exaggerating anyway.) 1186 01:03:24,583 --> 01:03:26,916 Hi, I'm so sorry. 1187 01:03:27,083 --> 01:03:29,583 Would it be possible to switch tables, please? 1188 01:03:29,750 --> 01:03:32,333 - Yes, sure. - It's very kind of you. Thank you. 1189 01:03:32,500 --> 01:03:33,333 You're welcome. 1190 01:03:36,958 --> 01:03:39,375 - [François laughs a little] - Hey, you know what? 1191 01:03:39,916 --> 01:03:42,583 I think it's starting to excite me about all this. 1192 01:03:44,125 --> 01:03:45,000 What ? 1193 01:03:45,666 --> 01:03:46,541 No, nothing. 1194 01:03:48,083 --> 01:03:49,916 - THANKS. Are you hungry? - No. 1195 01:03:50,083 --> 01:03:51,333 On the other hand, I am thirsty. 1196 01:03:51,500 --> 01:03:54,000 Two glasses of champagne, please. 1197 01:03:54,166 --> 01:03:55,000 (Thank you.) 1198 01:03:59,500 --> 01:04:02,083 I would like to know what they are talking about. 1199 01:04:02,250 --> 01:04:04,208 Do you understand something? 1200 01:04:12,166 --> 01:04:14,625 - No, I don't understand. - [she breathes] 1201 01:04:17,666 --> 01:04:18,625 (Thank you.) 1202 01:04:20,166 --> 01:04:21,000 Thank you. 1203 01:04:22,375 --> 01:04:23,500 To our investigation. 1204 01:04:24,125 --> 01:04:25,166 Incredible. 1205 01:04:32,416 --> 01:04:34,458 - (What do you see?) - You're beautiful. 1206 01:04:37,958 --> 01:04:38,875 You're beautiful. 1207 01:04:39,041 --> 01:04:39,916 Stop. 1208 01:04:41,416 --> 01:04:42,333 (Look...) 1209 01:04:42,500 --> 01:04:44,708 - (You're super beautiful.) - (Listen, stop.) 1210 01:04:44,875 --> 01:04:47,333 (I don't think I told you since...) 1211 01:04:47,500 --> 01:04:49,625 (That’s not what we’re here for. What do you see?) 1212 01:04:49,791 --> 01:04:51,708 - (This is important.) - (Yes, what?) 1213 01:04:51,875 --> 01:04:53,291 (Over my shoulder, 1214 01:04:53,458 --> 01:04:54,958 what do you see?) 1215 01:04:55,125 --> 01:04:56,333 (The big bearded man.) 1216 01:04:56,500 --> 01:04:59,791 - (What is he doing?) - (He looks at me nastily) 1217 01:04:59,958 --> 01:05:02,166 - (Seriously.) - (He must be Russian, 1218 01:05:02,333 --> 01:05:04,750 like the KGB, trained in the forest.) 1219 01:05:05,666 --> 01:05:06,625 (I swear.) 1220 01:05:11,625 --> 01:05:13,125 Wait, they're not there anymore. 1221 01:05:13,291 --> 01:05:15,208 They are gone, they are no longer there. 1222 01:05:15,625 --> 01:05:17,458 No, but that's not very professional. 1223 01:05:17,625 --> 01:05:20,250 How we are going to do to know who this guy is? 1224 01:05:21,083 --> 01:05:22,875 Wait, I have an idea, come on. 1225 01:05:24,875 --> 01:05:25,791 Come on. 1226 01:05:29,166 --> 01:05:31,416 [lively and colorful symphonic theme] 1227 01:05:31,583 --> 01:05:33,166 - What? - [Colette shouts] 1228 01:05:33,333 --> 01:05:35,500 [she screams at the top of her lungs] 1229 01:05:35,666 --> 01:05:38,916 Yes, that's good, That’s my François! 1230 01:05:39,666 --> 01:05:42,791 - It's him, Dimitri Konstantinos. - Real estate developer. 1231 01:05:42,958 --> 01:05:44,500 They still want to move? 1232 01:05:46,250 --> 01:05:48,125 We're going to go search their house. 1233 01:05:48,541 --> 01:05:50,625 But it doesn't fit in your head or what? 1234 01:05:50,791 --> 01:05:53,000 We are not going to enter their house by break-in. 1235 01:05:53,166 --> 01:05:55,250 Do you want us to go to prison? 1236 01:05:55,416 --> 01:05:57,333 Racketeering, soap, all that, no. 1237 01:05:57,500 --> 01:05:59,750 Tonight they are at the theater, don't worry. 1238 01:05:59,916 --> 01:06:00,833 No, Colette. 1239 01:06:01,375 --> 01:06:03,333 I've played the game so far, but... 1240 01:06:05,833 --> 01:06:07,541 it's far too dangerous. 1241 01:06:07,708 --> 01:06:10,375 - We'll definitely find something. - No. 1242 01:06:11,791 --> 01:06:12,833 Hey, look at me. 1243 01:06:23,458 --> 01:06:24,375 You are disappointed, 1244 01:06:24,916 --> 01:06:26,750 I understand, we had a good laugh, 1245 01:06:26,916 --> 01:06:29,333 but you have to know how to stop, it's now. 1246 01:06:29,500 --> 01:06:31,375 - All right ? - No, but you're right. 1247 01:06:31,541 --> 01:06:32,458 I know it. 1248 01:06:42,958 --> 01:06:46,166 Well, okay, but I'm going, you watch. 1249 01:06:50,125 --> 01:06:51,333 What did you say there? 1250 01:06:51,500 --> 01:06:53,875 I will go and you, you will watch, that's it. 1251 01:06:54,041 --> 01:06:55,791 And that is non-negotiable. 1252 01:06:59,791 --> 01:07:00,666 What ? 1253 01:07:02,666 --> 01:07:03,500 Nothing. 1254 01:07:07,125 --> 01:07:10,250 But on the other hand, how are we going to get home? 1255 01:07:13,250 --> 01:07:14,166 I have a plan. 1256 01:07:15,833 --> 01:07:16,708 Ida? 1257 01:07:19,625 --> 01:07:21,416 - Mr. Tarnowski, hello. - Good morning. 1258 01:07:21,583 --> 01:07:25,166 I hope you have a good reason to bother me. 1259 01:07:25,625 --> 01:07:27,083 That's very funny, Ida. 1260 01:07:27,250 --> 01:07:29,583 - You have a lot of humor. - It happens to me. 1261 01:07:29,750 --> 01:07:31,000 I have a great reason. 1262 01:07:31,166 --> 01:07:33,625 It smells like gas between 1st and 2nd. 1263 01:07:33,791 --> 01:07:36,250 Don't you want to come see? I'm worried. 1264 01:07:36,416 --> 01:07:37,666 Come and see. 1265 01:07:37,833 --> 01:07:39,666 Gas, don't joke about it. 1266 01:07:40,666 --> 01:07:42,250 [thriller theme] 1267 01:07:56,125 --> 01:07:58,375 What are you plotting, you two? 1268 01:07:58,541 --> 01:08:00,916 Your husband has olfactory hallucinations. 1269 01:08:01,083 --> 01:08:02,958 Maybe he should get counseling. 1270 01:08:03,125 --> 01:08:04,958 - Good day. - Have a nice day, Ida. 1271 01:08:05,125 --> 01:08:05,958 Excellent. 1272 01:08:06,125 --> 01:08:07,416 Hurry, I have class! 1273 01:08:07,583 --> 01:08:09,250 - SO ? - [crystalline ringing] 1274 01:08:09,416 --> 01:08:10,833 - And presto! - Gorgeous. 1275 01:08:11,000 --> 01:08:13,833 Tell me, what am I supposed to look for? in the apartment? 1276 01:08:14,000 --> 01:08:17,000 Anything, evidence, clues, traces. 1277 01:08:17,166 --> 01:08:19,083 - See you tonight. - Yes, see you tonight. 1278 01:08:20,875 --> 01:08:23,708 [Sam] Attention, neighbor, That's heavy. 1279 01:08:23,875 --> 01:08:25,333 The Crime-Lite XS. 1280 01:08:26,500 --> 01:08:28,791 Best lamp multi-wavelength 1281 01:08:28,958 --> 01:08:31,125 to find clues, traces, proofs, 1282 01:08:31,291 --> 01:08:32,625 everything you are looking for. 1283 01:08:32,791 --> 01:08:34,333 And it lights up really well. 1284 01:08:34,500 --> 01:08:36,916 It's that powerful than a forensic laser. 1285 01:08:37,083 --> 01:08:39,625 A forensic laser, really? It's what ? 1286 01:08:40,833 --> 01:08:43,000 Too long to explain. Do you have Google? 1287 01:08:43,166 --> 01:08:44,000 Yeah. 1288 01:08:45,083 --> 01:08:47,833 - We see it in The Experts in Miami . - Downright ? 1289 01:08:48,000 --> 01:08:49,416 Yeah. There, look. 1290 01:08:49,958 --> 01:08:52,916 There you go, you turn it on, This is normal lighting. 1291 01:08:53,083 --> 01:08:54,541 You put yourself in ultraviolet 1292 01:08:54,708 --> 01:08:56,208 to find the fluids. 1293 01:08:56,375 --> 01:08:59,458 So any type of fluid, the blood, the sperm, that's it. 1294 01:08:59,625 --> 01:09:00,500 Then, 1295 01:09:00,666 --> 01:09:03,375 in blue light , fingerprints. 1296 01:09:03,541 --> 01:09:05,458 OK, that's it, I'll take it. 1297 01:09:06,708 --> 01:09:08,083 - Oh yeah? - Yeah. 1298 01:09:08,250 --> 01:09:09,541 - Okay. - [incredulous laughter] 1299 01:09:09,708 --> 01:09:11,541 Very good choice, I must say. 1300 01:09:11,708 --> 01:09:13,125 - Are you okay, neighbor? - Yes. 1301 01:09:13,291 --> 01:09:15,333 Wait, what are you going to do with that? 1302 01:09:15,500 --> 01:09:16,416 Defense secret. 1303 01:09:16,583 --> 01:09:18,708 Oh okay, you don't want to tell us. 1304 01:09:18,875 --> 01:09:20,458 - (No.) - Oh OK, OK... 1305 01:09:21,666 --> 01:09:24,208 Things aren't going well with Colette anymore, is that it? 1306 01:09:24,375 --> 01:09:26,125 It's going very well, I thank you. 1307 01:09:26,291 --> 01:09:28,500 - OK, that's none of our business. - Effectively. 1308 01:09:29,583 --> 01:09:31,625 If you have doubts about his loyalty, 1309 01:09:31,791 --> 01:09:34,208 that you are looking for traces of sperm... 1310 01:09:34,375 --> 01:09:35,583 - Absolutely. - Yeah. 1311 01:09:35,750 --> 01:09:37,458 - No. - If there are any, 1312 01:09:37,625 --> 01:09:40,500 you will find them. - Then, you know what they say. 1313 01:09:40,666 --> 01:09:42,750 If you have a doubt, there's no doubt. 1314 01:09:42,916 --> 01:09:45,041 Nothing to do with that. I write my... 1315 01:09:45,208 --> 01:09:47,458 my next novel, I need... 1316 01:09:47,625 --> 01:09:49,833 I take it. I'm taking a little tour. 1317 01:09:50,333 --> 01:09:51,291 All right ? 1318 01:10:05,375 --> 01:10:06,375 (Neighbor, hey!) 1319 01:10:07,041 --> 01:10:09,208 What are you going to do with it? 1320 01:10:09,375 --> 01:10:12,666 this high-tech thing for your crazy 19th century investigations? 1321 01:10:12,833 --> 01:10:15,166 [dark theme with Asian influences] 1322 01:10:17,791 --> 01:10:18,666 William! 1323 01:10:19,250 --> 01:10:21,000 - William! - Yes, yes... 1324 01:10:22,416 --> 01:10:25,291 - What do we do? - Oh yes, let's go! 1325 01:10:25,458 --> 01:10:27,416 - We have to go. - [dull shock] 1326 01:10:31,333 --> 01:10:33,000 - [sharp] - What is it? 1327 01:10:33,166 --> 01:10:35,958 This is a small mobile lamp... 1328 01:10:36,125 --> 01:10:37,333 with integrated dynamo. 1329 01:10:37,916 --> 01:10:41,458 Thanks to this wonder, I can see bodily fluids. 1330 01:10:41,625 --> 01:10:43,000 - [clicking] - Such as blood, 1331 01:10:43,166 --> 01:10:45,166 sperm, all... 1332 01:10:46,500 --> 01:10:48,250 Are we looking for sperm? 1333 01:10:48,416 --> 01:10:50,833 We are not looking for sperm, obviously not. 1334 01:10:51,000 --> 01:10:53,083 Let's move forward, let's move towards the night 1335 01:10:53,625 --> 01:10:54,541 and adventure. 1336 01:10:54,708 --> 01:10:55,750 [martial theme] 1337 01:10:59,041 --> 01:11:00,583 Count of Kerbequian. 1338 01:11:01,250 --> 01:11:03,083 So you were behind all this. 1339 01:11:03,250 --> 01:11:05,166 Guillaume Marchenville. 1340 01:11:05,333 --> 01:11:07,041 The Marquis de la Rose himself. 1341 01:11:07,333 --> 01:11:09,375 [he speaks in Mandarin] 1342 01:11:10,833 --> 01:11:12,708 [Guillaume] Give me my pipe. 1343 01:11:13,375 --> 01:11:14,875 - Give me my pipe. - No. 1344 01:11:15,041 --> 01:11:17,083 - No, that’s enough! - Give it to me! 1345 01:11:17,250 --> 01:11:18,083 [clink] 1346 01:11:18,250 --> 01:11:21,416 I have something too in my secret stash. 1347 01:11:24,041 --> 01:11:26,041 [they speak to each other in Mandarin] 1348 01:11:27,500 --> 01:11:28,833 [sigh of despair] 1349 01:11:31,333 --> 01:11:33,250 [Colette] The video you are going to see 1350 01:11:33,416 --> 01:11:34,958 dates from 1971. 1351 01:11:35,291 --> 01:11:36,583 And in this interview, 1352 01:11:36,750 --> 01:11:40,250 Hitchcock opens up about secrets of making his films. 1353 01:11:40,416 --> 01:11:43,458 And, more particularly, on creating suspense. 1354 01:11:45,333 --> 01:11:47,000 [playful baroque theme] 1355 01:12:00,166 --> 01:12:03,000 [in English] Mr. Hitchcock, dear master, 1356 01:12:03,166 --> 01:12:06,000 before passing to more serious things, 1357 01:12:06,166 --> 01:12:08,958 I want to thank you for making me 1358 01:12:09,125 --> 01:12:12,041 shiver, tremble and jump 1359 01:12:12,208 --> 01:12:14,083 to each of your films. 1360 01:12:14,250 --> 01:12:17,000 It's a real honor to meet you. 1361 01:12:17,166 --> 01:12:18,416 [Hitchcock] Thank you. 1362 01:12:18,583 --> 01:12:20,291 Dear Mr. Hitchcock, 1363 01:12:20,750 --> 01:12:23,958 let's talk about suspense in your films. 1364 01:12:24,708 --> 01:12:28,458 Does the suspense amounts to creating 1365 01:12:28,625 --> 01:12:30,958 tension and anticipation 1366 01:12:31,666 --> 01:12:35,041 Or, a stretching of time? 1367 01:12:35,208 --> 01:12:36,750 [soft and melancholy theme] 1368 01:12:36,916 --> 01:12:39,208 The heart of cinema, 1369 01:12:39,375 --> 01:12:43,208 it's the manipulation of time and emotions. 1370 01:12:44,250 --> 01:12:46,833 When I deliberately slow down, 1371 01:12:47,000 --> 01:12:50,041 or that I stretch for a moment to its limit, 1372 01:12:50,208 --> 01:12:51,875 I create suspense. 1373 01:12:52,750 --> 01:12:56,458 And the suspense, you see, is what generates the emotion. 1374 01:12:58,458 --> 01:13:00,250 Without emotion... 1375 01:13:06,083 --> 01:13:07,916 there is no suspense. 1376 01:13:08,625 --> 01:13:11,291 Now let's take an example. 1377 01:13:12,375 --> 01:13:14,375 Tell me, are you married? 1378 01:13:16,041 --> 01:13:16,875 Me ? 1379 01:13:18,416 --> 01:13:19,916 I believe, yes. 1380 01:13:21,000 --> 01:13:21,916 For what ? 1381 01:13:22,458 --> 01:13:24,791 If you want, imagine, 1382 01:13:24,958 --> 01:13:27,166 as in Rear Window, 1383 01:13:27,708 --> 01:13:30,541 that you start to suspect your neighbor 1384 01:13:30,708 --> 01:13:32,250 of having murdered his wife. 1385 01:13:33,416 --> 01:13:35,666 And you ask your husband 1386 01:13:35,833 --> 01:13:38,041 to enter the apartment 1387 01:13:38,208 --> 01:13:40,250 to snoop... 1388 01:13:59,208 --> 01:14:01,125 [Yann locks his door] 1389 01:14:07,583 --> 01:14:09,583 They left, the way is clear. 1390 01:14:12,375 --> 01:14:13,416 [brief exhale] 1391 01:14:25,041 --> 01:14:26,041 [anxiety-inducing theme] 1392 01:14:29,041 --> 01:14:30,708 (That's it, I'm at his house.) 1393 01:14:30,875 --> 01:14:32,791 (I'm on site, can you see me?) 1394 01:14:33,916 --> 01:14:36,166 (Yes, it's okay, I have you in visual.) 1395 01:14:39,041 --> 01:14:40,458 [chuckles of excitement] 1396 01:14:40,625 --> 01:14:43,541 (It's the most exciting thing that I have ever done.) 1397 01:14:43,708 --> 01:14:46,291 - (I have never been so...) - (Stop, concentrate!) 1398 01:14:46,458 --> 01:14:48,333 (Where did he hit him?) 1399 01:14:48,500 --> 01:14:50,041 (Goes to the library.) 1400 01:14:52,708 --> 01:14:54,541 I have to turn on the lamp. 1401 01:14:54,708 --> 01:14:56,291 That of the Experts in Miami. 1402 01:14:56,458 --> 01:14:58,125 If there is a crime, 1403 01:14:58,291 --> 01:14:59,208 we will find him. 1404 01:14:59,375 --> 01:15:00,250 (Ouch, the cow!) 1405 01:15:00,416 --> 01:15:03,125 - What are you doing, go ahead! - I'm going! 1406 01:15:03,541 --> 01:15:05,000 [Colette sighs, annoyed] 1407 01:15:08,166 --> 01:15:09,000 So? 1408 01:15:11,125 --> 01:15:12,250 (For now, 1409 01:15:12,875 --> 01:15:13,708 RAS.) 1410 01:15:14,416 --> 01:15:15,541 (Nothing to report.) 1411 01:15:25,750 --> 01:15:27,000 (My God.) 1412 01:15:27,875 --> 01:15:28,833 What? 1413 01:15:29,666 --> 01:15:30,500 What ?! 1414 01:15:33,708 --> 01:15:35,666 - [horrified sigh] - (Colette...) 1415 01:15:36,083 --> 01:15:37,541 What is it? 1416 01:15:37,708 --> 01:15:39,041 What is it?! 1417 01:15:42,666 --> 01:15:44,083 (There's blood everywhere.) 1418 01:15:44,250 --> 01:15:45,250 (They are everywhere.) 1419 01:15:46,125 --> 01:15:48,208 - (He tried to wipe...) - (But no...) 1420 01:15:48,375 --> 01:15:49,458 (It's disgusting.) 1421 01:15:49,625 --> 01:15:51,083 [shaky breathing] 1422 01:15:51,250 --> 01:15:53,500 - Isn't that sperm? - But no ! 1423 01:15:53,666 --> 01:15:54,833 It's blood! 1424 01:15:55,000 --> 01:15:56,541 Are there many, François? 1425 01:15:56,708 --> 01:15:57,875 (They are everywhere.) 1426 01:15:58,291 --> 01:15:59,208 (Everywhere!) 1427 01:16:00,375 --> 01:16:01,500 (On the floor.) 1428 01:16:01,958 --> 01:16:04,500 (On the walls. They are everywhere, you would see that...) 1429 01:16:04,666 --> 01:16:05,500 (Oh my...) 1430 01:16:05,666 --> 01:16:09,041 (On the floor, they are everywhere! Oh dear... oh dear...) 1431 01:16:09,208 --> 01:16:12,250 (You were right, he killed her. He really killed her!) 1432 01:16:12,416 --> 01:16:13,750 [François gasps] 1433 01:16:13,916 --> 01:16:15,500 What do I do? 1434 01:16:15,666 --> 01:16:16,750 You're funny, you. 1435 01:16:16,916 --> 01:16:19,250 - I'm in the killer's lair. - Calm down. 1436 01:16:19,416 --> 01:16:21,166 - Listen to me, I'm here. - (Yes.) 1437 01:16:21,333 --> 01:16:23,333 François, breathe, it’s going to be okay. 1438 01:16:23,500 --> 01:16:25,791 I'm going to pass out, Colette. 1439 01:16:25,958 --> 01:16:27,000 [hyperventilation] 1440 01:16:27,166 --> 01:16:28,416 François, calm down. 1441 01:16:28,583 --> 01:16:30,708 - Are you listening to me? - That I calm down? 1442 01:16:30,875 --> 01:16:31,833 Calm down. 1443 01:16:32,000 --> 01:16:34,291 - But calm down! - (OK. OK.) 1444 01:16:35,333 --> 01:16:37,833 - (Okay...) - [he tries to catch his breath] 1445 01:16:39,708 --> 01:16:42,375 You were right, Colette. You were right. 1446 01:16:42,541 --> 01:16:44,333 He killed his wife, this madman. 1447 01:16:46,833 --> 01:16:48,541 And I didn't believe you. 1448 01:16:50,333 --> 01:16:52,125 (And I didn't believe you.) 1449 01:16:53,166 --> 01:16:54,083 (Sorry.) 1450 01:17:01,208 --> 01:17:02,125 My love. 1451 01:17:04,416 --> 01:17:07,250 [Hitchcock interview] Then, to build suspense, 1452 01:17:07,416 --> 01:17:11,208 we show the neighbor who returns home, 1453 01:17:11,875 --> 01:17:13,958 because he forgot something. 1454 01:17:14,125 --> 01:17:15,000 Francis? 1455 01:17:15,166 --> 01:17:17,166 - Can you hear me? - What, of what? 1456 01:17:17,333 --> 01:17:19,291 You have to find the murder weapon. 1457 01:17:19,458 --> 01:17:20,291 A cat. 1458 01:17:20,458 --> 01:17:23,666 Search the library. Look on the shelves. 1459 01:17:23,833 --> 01:17:26,041 [Hitchcock interview] Which creates suspense, 1460 01:17:26,458 --> 01:17:28,250 it's that the public 1461 01:17:28,750 --> 01:17:30,666 ahead of the characters, 1462 01:17:31,375 --> 01:17:34,666 he knows more than the people on the screen. 1463 01:17:35,125 --> 01:17:36,000 (A cat...) 1464 01:17:37,333 --> 01:17:39,083 There! I have a cat there! 1465 01:17:39,250 --> 01:17:40,333 I have a cat there! 1466 01:17:40,500 --> 01:17:42,750 - No, no! - It looks like a cat. 1467 01:17:43,083 --> 01:17:44,500 That's not a cat! 1468 01:17:45,000 --> 01:17:47,250 [Hitchcock interview] The man enters the building, 1469 01:17:47,416 --> 01:17:49,333 he climbs the stairs. 1470 01:17:49,500 --> 01:17:51,833 Then, we come back to your husband, 1471 01:17:52,000 --> 01:17:53,625 still looking. 1472 01:17:53,791 --> 01:17:54,625 (I have it!) 1473 01:17:56,041 --> 01:17:57,166 (Is that it?) 1474 01:17:57,708 --> 01:17:59,750 (That looks like a cat.) 1475 01:17:59,916 --> 01:18:01,208 Yes, that's it! 1476 01:18:01,833 --> 01:18:04,416 - That's it, that's it! - (We have the gun, my darling.) 1477 01:18:04,583 --> 01:18:06,708 But don't stick your fingers on it! 1478 01:18:06,875 --> 01:18:08,708 - (Had to say it.) - Your fingerprints! 1479 01:18:08,875 --> 01:18:11,083 (They will believe that I am the murderer?) 1480 01:18:11,250 --> 01:18:12,416 [Hitchcock interview] At that time, 1481 01:18:12,583 --> 01:18:14,708 the public, at the end of their nerves, said to themselves: 1482 01:18:15,416 --> 01:18:18,083 “Be careful, be careful! He’s coming!” 1483 01:18:20,166 --> 01:18:21,125 Moreover, 1484 01:18:21,291 --> 01:18:25,458 if the intruder is someone nice, 1485 01:18:25,750 --> 01:18:28,583 as your husband certainly is, 1486 01:18:30,416 --> 01:18:33,458 spectators' concern redoubles. 1487 01:18:36,083 --> 01:18:36,875 Francis! 1488 01:18:37,041 --> 01:18:39,291 [the theme becomes more horrific] 1489 01:19:08,791 --> 01:19:10,416 François, can you hear me? 1490 01:19:10,833 --> 01:19:11,666 Francis! 1491 01:19:12,291 --> 01:19:13,541 François, answer! 1492 01:19:13,708 --> 01:19:14,791 [thriller theme] 1493 01:19:16,541 --> 01:19:17,416 (Shit.) 1494 01:19:18,083 --> 01:19:19,666 (Damn, my headset.) 1495 01:19:21,541 --> 01:19:23,208 François, can you hear me? 1496 01:19:28,458 --> 01:19:29,916 François, answer me. 1497 01:19:33,666 --> 01:19:34,625 [notification] 1498 01:19:43,833 --> 01:19:47,000 Why isn't he answering me... François, can you see me? 1499 01:19:48,750 --> 01:19:49,625 (Shit.) 1500 01:19:51,000 --> 01:19:54,875 [Hitchcock interview] This is the very essence of suspense: 1501 01:19:55,750 --> 01:19:59,333 make sure make the public feel helpless. 1502 01:19:59,500 --> 01:20:02,000 Francis! But what the hell are you doing! 1503 01:20:02,166 --> 01:20:03,333 [his phone vibrates] 1504 01:20:03,500 --> 01:20:07,583 [Hitchcock interview] Like a mouse under a cat's paw. 1505 01:20:17,250 --> 01:20:18,541 [a phone rings] 1506 01:20:27,666 --> 01:20:29,000 Thanks for calling. 1507 01:20:29,166 --> 01:20:31,708 I forgot my cell phone in the toilet. 1508 01:20:32,375 --> 01:20:34,208 Yeah, we'll see you at the theater. 1509 01:20:35,416 --> 01:20:36,958 - 20 million. - [sardonic laugh] 1510 01:20:37,125 --> 01:20:38,666 I'll bring the champagne. 1511 01:20:47,958 --> 01:20:49,000 [Yann] Okay. 1512 01:21:00,958 --> 01:21:03,583 Tell me, it was you who closed it, just now? 1513 01:21:03,750 --> 01:21:07,291 Because usually, I always close twice... 1514 01:21:07,458 --> 01:21:08,666 OK, see you all. 1515 01:21:09,583 --> 01:21:12,083 I don't understand what you're telling me. 1516 01:21:12,250 --> 01:21:13,208 [vibration] 1517 01:21:17,041 --> 01:21:19,333 [Hitchcock interview] Unlike the surprise, 1518 01:21:19,750 --> 01:21:22,208 which only lasts a moment... 1519 01:21:23,625 --> 01:21:24,541 [muffled cry] 1520 01:21:25,250 --> 01:21:27,291 François, he has the cat! 1521 01:21:28,958 --> 01:21:32,416 We can prolong the suspense in time. 1522 01:21:36,500 --> 01:21:39,250 Every second that passes 1523 01:21:39,416 --> 01:21:42,000 becomes an experience in its own right. 1524 01:21:42,541 --> 01:21:43,875 [thriller theme] 1525 01:21:44,208 --> 01:21:45,208 (The headset...) 1526 01:21:55,541 --> 01:21:58,125 [Colette] Yes, too strong! You're in the living room, it's okay. 1527 01:21:58,291 --> 01:21:59,250 Go ahead, keep going. 1528 01:21:59,416 --> 01:22:01,041 (Yes, it's okay, the door.) 1529 01:22:19,541 --> 01:22:20,833 [laughs in relief] 1530 01:22:25,791 --> 01:22:29,375 [Hitchcock interview] Do you know what is most important 1531 01:22:29,875 --> 01:22:32,583 in everything we just spoke, 1532 01:22:32,750 --> 01:22:33,833 my dear lady? 1533 01:22:34,458 --> 01:22:36,458 I think so. 1534 01:22:36,625 --> 01:22:38,166 [soft and enigmatic theme] 1535 01:22:40,208 --> 01:22:41,166 Tell me! 1536 01:22:41,791 --> 01:22:45,625 The most important is for the public to be aware 1537 01:22:45,791 --> 01:22:47,541 before the characters. 1538 01:22:47,708 --> 01:22:49,375 [tapes crackle] 1539 01:22:49,541 --> 01:22:50,666 Exactly. 1540 01:22:51,208 --> 01:22:53,291 As far as possible. 1541 01:22:55,625 --> 01:22:57,125 [symphonic flight] 1542 01:23:12,958 --> 01:23:14,541 Well done, well done, are you okay? 1543 01:23:14,708 --> 01:23:16,208 How do you feel? 1544 01:23:16,375 --> 01:23:17,916 I was scared, I was scared. 1545 01:23:18,083 --> 01:23:19,416 (We can be heard.) 1546 01:23:20,166 --> 01:23:22,625 Look what I failed forget at home. 1547 01:23:22,791 --> 01:23:24,541 - Well done, too strong. - Can you imagine? 1548 01:23:24,708 --> 01:23:26,583 Who was he with on the phone? 1549 01:23:26,750 --> 01:23:29,916 I believe it was his mistress. Emma, ​​the barmaid. 1550 01:23:30,083 --> 01:23:32,166 They're going to celebrate after the theater. 1551 01:23:32,333 --> 01:23:35,208 The deal they made with Konstantinos? 1552 01:23:35,375 --> 01:23:37,291 A deal worth 20 million euros. 1553 01:23:37,458 --> 01:23:40,458 20 million is not an apartment, It’s a building! 1554 01:23:41,666 --> 01:23:42,833 Or a theater! 1555 01:23:43,916 --> 01:23:44,875 His theater. 1556 01:23:45,041 --> 01:23:48,583 Yes, when his parents died, Nathalie inherits their theater. 1557 01:23:48,750 --> 01:23:51,666 Then, she meets this promoter, Konstantinos, 1558 01:23:51,833 --> 01:23:54,375 who makes him an offer to sell which she refuses. 1559 01:23:54,541 --> 01:23:57,500 Because that's all what remains of his parents. 1560 01:23:57,666 --> 01:23:58,583 Obviously. 1561 01:23:58,750 --> 01:24:01,166 But for Yann, this failed actor tramp, 1562 01:24:01,333 --> 01:24:02,500 20 million euros... 1563 01:24:02,666 --> 01:24:05,541 And there is an idea which germinates in his head, 1564 01:24:05,708 --> 01:24:07,208 which becomes obsessive, 1565 01:24:07,375 --> 01:24:10,666 make Nathalie disappear and receive the money from the sale! 1566 01:24:10,833 --> 01:24:12,041 [in LSF] Liar! 1567 01:24:12,208 --> 01:24:13,541 You want my money! 1568 01:24:13,708 --> 01:24:16,833 You're completely crazy! How can you say that? 1569 01:24:17,000 --> 01:24:17,916 I love you. 1570 01:24:18,083 --> 01:24:19,416 You bastard! 1571 01:24:21,041 --> 01:24:22,000 [sharp] 1572 01:24:22,166 --> 01:24:24,000 [dark and disturbing symphonic theme] 1573 01:24:35,291 --> 01:24:37,708 Except that, to touch the money from the sale, 1574 01:24:37,875 --> 01:24:40,375 he must make people believe that Nathalie is alive. 1575 01:24:40,541 --> 01:24:43,541 And to calm the ardor from his overly curious neighbors. 1576 01:24:43,708 --> 01:24:44,791 Especially his neighbor. 1577 01:24:44,958 --> 01:24:47,416 - (Her very pretty neighbor.) - [small knowing laugh] 1578 01:24:47,583 --> 01:24:50,541 He sends Emma, his mistress, for Nathalie. 1579 01:24:50,708 --> 01:24:52,375 Time to close the sale. 1580 01:24:54,875 --> 01:24:56,458 Yes, they are at the window. 1581 01:24:56,625 --> 01:24:59,291 - Damn, she even has twins. - What ? 1582 01:25:00,333 --> 01:25:02,333 - We do as we said, OK? - Yes. 1583 01:25:02,791 --> 01:25:03,916 - Go. - Go. 1584 01:25:05,083 --> 01:25:08,541 - Are you sure this will work? - Yes, don't worry. 1585 01:25:08,708 --> 01:25:12,125 (They don't know what she looks like, don't worry.) 1586 01:25:12,291 --> 01:25:15,125 (The objective is that they, they think...) 1587 01:25:15,291 --> 01:25:17,791 [in LSF] ...that she is still alive. 1588 01:25:17,958 --> 01:25:20,458 Time to sell the theater 1589 01:25:20,625 --> 01:25:23,916 and let's get out of here. 1590 01:25:27,250 --> 01:25:28,791 (Fuck... sorry!) 1591 01:25:29,916 --> 01:25:30,916 (Sorry.) 1592 01:25:32,333 --> 01:25:34,041 I'm an infinite asshole 1593 01:25:34,208 --> 01:25:36,791 who will never doubt again of your infinite intelligence. 1594 01:25:37,708 --> 01:25:38,666 Never again. 1595 01:25:39,375 --> 01:25:41,416 Do you doubt my intelligence? 1596 01:25:42,041 --> 01:25:43,833 - Not at all... - But I'm joking. 1597 01:25:44,000 --> 01:25:46,208 We still don't have the MacGuffin. 1598 01:25:46,375 --> 01:25:47,708 But we have the motive. 1599 01:25:48,333 --> 01:25:51,208 Money from the sale of the theater, all that for that... 1600 01:25:51,375 --> 01:25:53,250 All that for that, you're right. 1601 01:25:53,416 --> 01:25:55,458 Tomorrow we'll tell the police everything. 1602 01:25:56,875 --> 01:25:58,916 (What a story, it's not possible!) 1603 01:26:02,125 --> 01:26:04,666 Wait, it's still our investigation, right? 1604 01:26:04,833 --> 01:26:06,125 We finish it together. 1605 01:26:08,958 --> 01:26:09,916 What ? 1606 01:26:11,583 --> 01:26:12,458 What, right? 1607 01:26:13,000 --> 01:26:14,000 No, Colette. 1608 01:26:14,375 --> 01:26:15,208 Francis. 1609 01:26:18,541 --> 01:26:19,375 Hmm. 1610 01:26:19,958 --> 01:26:21,541 Yes, no but you're right. 1611 01:26:22,333 --> 01:26:23,166 I stop. 1612 01:26:23,583 --> 01:26:25,958 Let's be reasonable. The police are better. 1613 01:26:27,375 --> 01:26:28,375 Well yes... 1614 01:26:31,416 --> 01:26:33,375 But it was nice, nonetheless. 1615 01:26:33,958 --> 01:26:35,958 How cool was that! 1616 01:26:37,583 --> 01:26:39,958 ["For The Damaged Coda", by Blonde Redhead] 1617 01:26:40,125 --> 01:26:41,000 Good night. 1618 01:26:41,625 --> 01:26:42,916 Yeah, good night. 1619 01:26:59,000 --> 01:26:59,958 Good night. 1620 01:27:00,416 --> 01:27:01,250 [Colette] Good night. 1621 01:27:28,791 --> 01:27:29,625 Yes ? 1622 01:27:32,166 --> 01:27:33,583 What is it? 1623 01:27:34,041 --> 01:27:35,916 I think I have an idea. 1624 01:27:38,291 --> 01:27:39,333 Do you have an idea? 1625 01:27:42,291 --> 01:27:43,625 Come tell me. 1626 01:27:49,791 --> 01:27:50,708 So, 1627 01:27:51,166 --> 01:27:52,458 you told me... - Hmm? 1628 01:28:18,791 --> 01:28:21,500 - Have a nice weekend everyone, see you Monday. - [all] See you Monday! 1629 01:28:21,666 --> 01:28:22,916 [all] Have a nice weekend. 1630 01:28:29,250 --> 01:28:30,666 I can help you ? 1631 01:28:32,000 --> 01:28:33,375 [disturbing theme] 1632 01:28:33,541 --> 01:28:35,208 What do you want? 1633 01:28:35,375 --> 01:28:37,458 You forgot this at my house. 1634 01:28:39,041 --> 01:28:40,125 For what ? 1635 01:28:41,291 --> 01:28:43,625 Why did you come? get involved in this? 1636 01:28:43,958 --> 01:28:44,875 Hmm ? 1637 01:28:45,125 --> 01:28:46,458 Huh, why? 1638 01:28:48,375 --> 01:28:50,208 You must know the story. 1639 01:28:50,375 --> 01:28:52,875 During the preview of Window on courtyard, 1640 01:28:53,041 --> 01:28:56,125 when Grace Kelly digs in Lars Thorwald's room, 1641 01:28:56,291 --> 01:28:58,333 when he appears in the hallway, 1642 01:28:58,500 --> 01:29:00,500 Joseph Cotten's wife, panicked, 1643 01:29:00,666 --> 01:29:03,083 said to her husband: “Do something.” 1644 01:29:03,250 --> 01:29:05,416 [Yann screams] “Do something!” 1645 01:29:19,458 --> 01:29:20,416 Colette? 1646 01:29:30,791 --> 01:29:32,083 [a phone vibrates] 1647 01:29:34,875 --> 01:29:36,541 (Damn, that’s not true.) 1648 01:29:36,708 --> 01:29:38,041 [scary theme] 1649 01:29:48,875 --> 01:29:50,750 Yann, are you with my wife? 1650 01:29:50,916 --> 01:29:54,250 If you want to see her alive again, meet me at the theater. 1651 01:29:56,666 --> 01:29:58,416 (Think, think.) 1652 01:29:58,583 --> 01:30:01,208 For once in your life, think about it, come on. 1653 01:30:01,375 --> 01:30:04,416 What was he saying, already, this stupid little cake? 1654 01:30:05,916 --> 01:30:07,750 "Whoever sets a trap for others, 1655 01:30:08,416 --> 01:30:09,958 “could well be caught there.” 1656 01:30:10,125 --> 01:30:11,083 (No!) 1657 01:30:30,375 --> 01:30:31,375 Colette? 1658 01:30:33,541 --> 01:30:34,375 Colette! 1659 01:30:47,500 --> 01:30:50,541 [Yann] It impresses you to be on stage? 1660 01:30:50,708 --> 01:30:51,666 Yann! 1661 01:30:51,833 --> 01:30:55,500 Please tell me where she is. I'm worried to death. 1662 01:30:55,791 --> 01:30:59,708 With the public, it's even more spectacular, you know. 1663 01:30:59,875 --> 01:31:02,958 - This must not happen to you often. - [sarcastic laugh] 1664 01:31:03,208 --> 01:31:05,000 Come on, that's enough now. 1665 01:31:05,166 --> 01:31:07,416 Let's end it, tell me where she is. 1666 01:31:07,583 --> 01:31:10,125 I should have immediately distrust you. 1667 01:31:10,291 --> 01:31:13,541 A Hitchcock specialist and an author of detective novels, 1668 01:31:13,708 --> 01:31:16,250 we couldn't do worse as neighbors. 1669 01:31:16,416 --> 01:31:19,500 But what are you waiting for about us, exactly? 1670 01:31:19,666 --> 01:31:21,458 - Silence. - The silence? 1671 01:31:35,916 --> 01:31:36,833 William. 1672 01:31:37,750 --> 01:31:40,708 If this time we get through it, I am returning to the convent. 1673 01:31:40,875 --> 01:31:43,791 Don't say anything, Rebecca, please. 1674 01:31:44,125 --> 01:31:47,083 Good God, we're going to wait How long will it last like this? 1675 01:31:48,208 --> 01:31:51,125 - He forgot us? - Stop, you're scaring me. 1676 01:31:52,541 --> 01:31:55,083 Imagine that he doesn't recover never to write. 1677 01:31:55,250 --> 01:31:57,125 What will we become? 1678 01:31:57,541 --> 01:32:00,125 I don't know, Rebecca, I don't know. 1679 01:32:01,416 --> 01:32:02,916 [dejected sigh] 1680 01:32:04,000 --> 01:32:05,250 [Colette] François. 1681 01:32:05,875 --> 01:32:06,750 Francis? 1682 01:32:07,291 --> 01:32:08,166 Francis! 1683 01:32:08,791 --> 01:32:10,875 - [worried sigh] - Francis! 1684 01:32:11,333 --> 01:32:12,416 How are you ? 1685 01:32:13,375 --> 01:32:15,000 Ah, it's you, my heart. 1686 01:32:15,166 --> 01:32:16,625 Oh, my love... 1687 01:32:17,083 --> 01:32:17,916 Do you have anything? 1688 01:32:18,250 --> 01:32:19,083 How are you. 1689 01:32:19,958 --> 01:32:20,958 Where are we now? 1690 01:32:23,750 --> 01:32:24,708 I don't know. 1691 01:32:24,875 --> 01:32:25,833 (Oh, damn...) 1692 01:32:26,000 --> 01:32:28,208 It's okay, lovers, not too tight? 1693 01:32:30,625 --> 01:32:31,958 Kerbec is Breton. 1694 01:32:32,625 --> 01:32:36,208 We learn to tie knots before you even know how to walk. 1695 01:32:36,375 --> 01:32:38,583 Great anecdote... Are you untying us? 1696 01:32:38,750 --> 01:32:42,291 You should never have put you in my way. Never. 1697 01:32:42,458 --> 01:32:44,750 Listen, Yann, can we talk? 1698 01:32:44,916 --> 01:32:46,208 Let's be reasonable. 1699 01:32:46,375 --> 01:32:48,041 Everything that lives must die. 1700 01:32:48,208 --> 01:32:49,916 - What ? - It's Shakespeare. 1701 01:32:50,083 --> 01:32:53,208 Leave our condition to regain the eternal. 1702 01:32:53,916 --> 01:32:57,500 - He is completely ill. - I'll turn it off at intermission. 1703 01:32:57,666 --> 01:32:58,625 [a gas spreads] 1704 01:32:58,791 --> 01:32:59,541 No, no, no! 1705 01:32:59,708 --> 01:33:01,625 - What are you doing there? - Calm down. 1706 01:33:01,791 --> 01:33:02,958 It will be very quick. 1707 01:33:03,125 --> 01:33:06,875 And you can join the remains from my dear and tender Nathalie. 1708 01:33:07,041 --> 01:33:08,208 In the boiler. 1709 01:33:08,375 --> 01:33:09,375 Come on, damn it! 1710 01:33:09,791 --> 01:33:11,291 [groans with effort] 1711 01:33:12,458 --> 01:33:14,208 It wasn't Hitchcock who said: 1712 01:33:14,375 --> 01:33:17,125 "The more successful the villain, plus the film too”? 1713 01:33:17,291 --> 01:33:19,041 - Huh, the specialist? - What ? 1714 01:33:19,208 --> 01:33:22,541 Yann, you don't understand well, we are not in a film. 1715 01:33:23,708 --> 01:33:24,666 (Have a good trip.) 1716 01:33:24,958 --> 01:33:26,083 [Colette] Yann, wait! 1717 01:33:29,875 --> 01:33:30,958 [François coughs] 1718 01:33:32,375 --> 01:33:34,625 I should never have gotten involved in this. 1719 01:33:36,666 --> 01:33:39,750 I'm sorry for dragging you down in this story. 1720 01:33:40,458 --> 01:33:41,875 [hands ticking] 1721 01:33:42,250 --> 01:33:43,125 [light beep] 1722 01:33:43,500 --> 01:33:45,708 [electric saw whirring] 1723 01:33:47,416 --> 01:33:49,625 What is that noise? 1724 01:33:49,791 --> 01:33:51,291 What are you doing ? 1725 01:33:51,458 --> 01:33:54,166 I'm saving us, figure it out. 1726 01:33:57,541 --> 01:33:58,541 [tick-tock] 1727 01:33:58,708 --> 01:34:01,208 You saw it, Live and let die ? 1728 01:34:02,250 --> 01:34:03,583 The Rolex Submariner. 1729 01:34:03,750 --> 01:34:05,750 A mini saw in the dial. 1730 01:34:07,625 --> 01:34:08,916 And it works. 1731 01:34:09,083 --> 01:34:10,708 [the mechanism stops] 1732 01:34:10,875 --> 01:34:12,625 It doesn't work, dammit! 1733 01:34:12,791 --> 01:34:13,666 Shit ! 1734 01:34:14,750 --> 01:34:16,125 Damn, piss off! 1735 01:34:16,833 --> 01:34:18,666 We're screwed, I'm sorry. 1736 01:34:18,833 --> 01:34:20,583 I'm sorry, my love. 1737 01:34:20,750 --> 01:34:21,958 [dramatic theme] 1738 01:34:24,583 --> 01:34:25,416 Francis. 1739 01:34:28,083 --> 01:34:29,416 I love you, you know. 1740 01:34:31,208 --> 01:34:32,750 You are the man of my life. 1741 01:34:35,166 --> 01:34:36,166 Both, 1742 01:34:36,333 --> 01:34:38,541 it wasn't exceptional every day, 1743 01:34:38,708 --> 01:34:40,958 but it was still great. 1744 01:34:44,375 --> 01:34:47,708 I would have loved to pass the rest of my life with you. 1745 01:34:49,208 --> 01:34:51,958 Wait, what did you just say? 1746 01:34:52,833 --> 01:34:55,625 I would have loved to pass the rest of my life with you. 1747 01:34:58,916 --> 01:34:59,916 That's good... 1748 01:35:00,083 --> 01:35:01,208 [theme gets carried away] 1749 01:35:01,375 --> 01:35:03,166 Because it is precisely 1750 01:35:04,166 --> 01:35:05,375 what will happen. 1751 01:35:05,541 --> 01:35:07,125 [coughing fits] 1752 01:35:07,291 --> 01:35:08,208 Shoot, shoot. 1753 01:35:09,708 --> 01:35:12,208 Pull with me, my love. Shoot with me. 1754 01:35:12,375 --> 01:35:13,333 Shoot! 1755 01:35:13,500 --> 01:35:14,916 [groans with effort] 1756 01:35:19,041 --> 01:35:19,875 (Are you okay?) 1757 01:35:20,041 --> 01:35:22,208 - Gas! - What gas? Yes ! 1758 01:35:30,750 --> 01:35:32,583 [Colette catches her breath] 1759 01:35:33,291 --> 01:35:35,916 Enter the spectrum on stage in two minutes. 1760 01:35:36,083 --> 01:35:39,166 - What do we do? - What is this bun? Vertigo ? 1761 01:35:39,333 --> 01:35:40,791 Yes, don't you like it? 1762 01:35:41,625 --> 01:35:42,791 Yes, I like it. 1763 01:35:43,000 --> 01:35:44,791 You have no idea how bad. 1764 01:35:46,333 --> 01:35:48,541 But like that too, I like you. 1765 01:35:49,833 --> 01:35:51,333 [metallic clicking] 1766 01:35:52,250 --> 01:35:55,458 - It only works in the movies. - You never know. 1767 01:35:56,083 --> 01:35:57,708 - His mind leads him to risk everything. - Let's follow him. 1768 01:35:57,875 --> 01:35:58,791 It is wrong to obey. 1769 01:35:59,333 --> 01:36:01,916 Yes, come on, What will come out of all this? 1770 01:36:02,083 --> 01:36:05,625 This sovereign reason to moan like out of tune bells. 1771 01:36:07,000 --> 01:36:09,166 (What the hell were you doing?) 1772 01:36:09,333 --> 01:36:10,208 (Come on, go!) 1773 01:36:10,375 --> 01:36:12,541 [dramatic symphonic theme] 1774 01:36:17,958 --> 01:36:19,166 (Come on, go!) 1775 01:36:21,625 --> 01:36:23,333 There is something rotten 1776 01:36:23,500 --> 01:36:25,125 in the Kingdom of Denmark. 1777 01:36:25,291 --> 01:36:26,166 Yes ! 1778 01:36:26,875 --> 01:36:29,041 There is something rotten 1779 01:36:29,208 --> 01:36:30,833 in the Kingdom of Denmark. 1780 01:36:33,416 --> 01:36:35,625 What the hell are you talking about? 1781 01:36:37,875 --> 01:36:39,250 I am the specter. 1782 01:36:42,041 --> 01:36:43,166 The spirit of your wife 1783 01:36:44,375 --> 01:36:45,958 that you murdered, 1784 01:36:46,125 --> 01:36:47,291 condemned to wander 1785 01:36:48,250 --> 01:36:49,416 for eternity. 1786 01:36:59,875 --> 01:37:02,083 - [metallic clink] - It's over, Yann. 1787 01:37:02,250 --> 01:37:03,166 It's over. 1788 01:37:06,875 --> 01:37:08,416 Yann, go away, Yann! 1789 01:37:08,583 --> 01:37:09,458 Go away! 1790 01:37:15,208 --> 01:37:16,333 [thriller theme] 1791 01:37:16,500 --> 01:37:17,208 [sharp] 1792 01:37:17,375 --> 01:37:19,791 I also know how to speak with my hands, stupid! 1793 01:37:23,166 --> 01:37:25,666 He who uses the sword will perish by the sword. 1794 01:37:25,833 --> 01:37:27,541 I did fencing when I was little. 1795 01:37:27,708 --> 01:37:28,833 - You're bluffing. - Non. 1796 01:37:29,000 --> 01:37:29,750 - Yes. - Non. 1797 01:37:29,916 --> 01:37:30,791 -And. -Non. 1798 01:37:31,791 --> 01:37:32,791 [cris] 1799 01:37:34,708 --> 01:37:35,625 François... 1800 01:37:52,333 --> 01:37:55,458 Yann, we're going to get hurt, we're going to end up getting hurt. 1801 01:37:55,625 --> 01:37:57,708 [strangled voice] We're going to get hurt! 1802 01:37:57,875 --> 01:38:00,166 [panic screams in the room] 1803 01:38:10,875 --> 01:38:12,291 Oh hey, oh oh! 1804 01:38:12,458 --> 01:38:14,916 - Let's calm down, let's calm down! - [sardonic laugh] 1805 01:38:25,000 --> 01:38:26,416 [François] (The secret trick...) 1806 01:38:26,583 --> 01:38:28,291 (Think of the secret boot.) 1807 01:38:29,250 --> 01:38:30,541 (The secret trick.) 1808 01:38:41,750 --> 01:38:43,208 I got there, hey! 1809 01:38:43,708 --> 01:38:44,541 Colette ! 1810 01:38:45,083 --> 01:38:46,041 Bravo ! 1811 01:38:46,625 --> 01:38:47,500 Did you see that? 1812 01:38:48,041 --> 01:38:49,791 - Police ! - Don't move. 1813 01:38:49,958 --> 01:38:51,000 [applause] 1814 01:38:51,166 --> 01:38:52,083 Police! 1815 01:39:05,541 --> 01:39:07,916 You couldn't help yourself to call the police. 1816 01:39:08,083 --> 01:39:10,333 Well at the same time, This is the end of the film. 1817 01:39:29,625 --> 01:39:32,833 Do you know now what is a MacGuffin? 1818 01:39:34,375 --> 01:39:35,416 I think so, yeah. 1819 01:39:35,583 --> 01:39:36,958 - Do you think so? - Yeah. 1820 01:39:37,791 --> 01:39:38,625 Do you think so? 1821 01:39:41,416 --> 01:39:44,041 I think we need to that you are still looking for. 1822 01:39:45,583 --> 01:39:46,500 How ? 1823 01:39:46,666 --> 01:39:48,083 [dancing baroque theme] 1824 01:40:42,875 --> 01:40:43,916 [bells] 1825 01:40:48,541 --> 01:40:49,583 [someone enters] 1826 01:40:51,625 --> 01:40:52,458 Rebecca? 1827 01:40:53,708 --> 01:40:54,666 William! 1828 01:41:11,958 --> 01:41:13,958 [mysterious theme] 1829 01:43:55,500 --> 01:43:58,541 Subtitles: Lucille Eichhorn for TRI TRACK